A Pigeon Sat On A Branch Reflecting On Existence (2014)
★★★☆☆
The closing film in Roy Andersson’s trilogy, A Pigeon Sat on a Branch Reflecting On Existence offers a blackly humorous look at you, the living.
Film reviews by Dog and Wolf
★★★☆☆
The closing film in Roy Andersson’s trilogy, A Pigeon Sat on a Branch Reflecting On Existence offers a blackly humorous look at you, the living.
★★☆☆☆
As a wave of falling sickness takes over an all-girls school, Carol Morley’s The Falling plucks female empowerment from a maelstrom of teenage desire.
★★★☆☆
Building relationships across the class divide, Franco Lolli’s Gente de Bien turns into an unexpectedly moving portrait of father and son bonding.
★★☆☆☆
A Danish Western with the magnetic Mads Mikkelsen, Kristian Levring’s The Salvation is gorgeous to look at but as hollow as a Ten-gallon hat.
★★★☆☆
Telling the story of Gustav Klimt’s masterpiece, Simon Curtis’ Woman In Gold paints a portrait of Nazi-looted art and its journey back into the right hands.
★★★★☆
Exposing the domestic tensions of a family following a near-avalanche, Ruben Östlund’s Force Majeure offers a captivating and wry look at male weakness.
★★★☆☆
In Lisandro Alonso’s beautifully shot, minimalist Jauja, a desert in 19th century Patagonia sparks an enigmatic quest into the meaning of life and cinema.
★★★☆☆
With a transgender teen searching for her true self, Ester Martin Bergsmark’s Something Must Break lends a poetic look at the unbecoming state of becoming.
★★★☆☆
Diagnosing the internal conflict of high-ranking Nazi and family man Heinrich Himmler, Vanessa Lapa’s The Decent One exposes the indecency of the “decent”.
★★★☆☆
Chris Bouchard’s Hackney’s Finest is a darkly comic caper with much more violence, hard drug taking and serious swearing than you’d expect.
★★★☆☆
With While We’re Young Noah Baumbach hits you with everything and the kitschen sink in this incisive, funny but often distractingly clichéd comedy about the passage of time and the illusion of youth.
★★☆☆☆
Ron Mann’sAltman is a stoic by-the-numbers documentary celebrating the films of the great director, but offering little insight into the man behind the lens.
★★★☆☆
A self-referential odyssey of filmmaking and its ethics, Michael Winterbottom’s The Face Of An Angel loses its way in a labyrinth of satire and horror.
★★★★☆
Crazy, caustic, and ingeniously clever, Damián Szifrón’s Wild Tales is an excellent Argentine selection box of intricate short stories.