Festival Review: The Misplaced World / Die Abhandene Welt (2015)
★★☆☆☆
Despite all-singing performances from Katja Riemann and Barbara Sukowa, Margarethe von Trotta’s The Misplaced World still makes for a jarring thriller.
Film reviews by Dog and Wolf
★★☆☆☆
Despite all-singing performances from Katja Riemann and Barbara Sukowa, Margarethe von Trotta’s The Misplaced World still makes for a jarring thriller.
★★★★☆
With unique archive footage, Christian Braad Thomsen’s Fassbinder To Love Without Demands delivers an honest and intelligent portrait of the German director.
★★★★★
A poignant New York story of love in a dark time, Ira Sachs’ Love Is Strange makes for a fine romance of the most human kind.
★★★☆☆
Drugs and violent crime trigger a surprising religious conversion for a small-time gangster in London’s East End, in a story that reflects a changing urban society.
★★★☆☆
Israeli and Palestininan schoolchildren overcoming their prejudices as they are taught to ballroom dance together is movingly captured in a fly-on-the-wall documentary.
★★★★☆
With a great performance from Alba Rohrwacher, Laura Bispuri’s Sworn Virgin is a stunning but underwhelming glimpse into celibacy in the Albanian mountains.
★★★☆☆
What can change a man from pacifist to freedom fighter? Oliver Hirschbiegel’s 13 Minutes pays tribute to the German resistant Georg Elser.
★☆☆☆☆
A carnival of singing, dancing, car chases and bullets, Wen Jiang’s Gone With The Bullets gets lost in an amorphous hall of mirrors.
★★★★☆
A visual extravaganza of the Russian director’s sexual awakening in Mexico, Peter Greenaway’s Eisenstein In Guanajuato is a shameless return to form.
★★☆☆☆
A black and white romp through 19th century Romanian feudalism, what Radu Jude’s Aferim! lacks in substance, it makes up for in style.
★★★★☆
Chosen to premiere at Berlin (home of Cabaret), Mark Christopher’s 54: The Director’s Cut recreates a bygone age of synth-infused hedonism.
★★★☆☆
The comic story of a New York gay couple trying for a baby with their 30-something best friend, Sebastián Silva’s Nasty Baby falls apart in the final reel.
★★★☆☆
A gloriously atmospheric 3D thriller, Wim Wenders’ Every Thing Will Be Fine charts the soul’s repair after a bruising trauma.
★★★☆☆
A murky wander through Mother Russia past, present and future, Alexey German’s Under Electric Clouds is an ambitious feat of national navel-gazing.