Festival Review: Mr Holmes (2015)
★★★☆☆
With a bright-eyed performance from Ian McKellen, Bill Condon’s Mr Holmes is a handsome portrait of the detective as an old man.
★★★☆☆
With a bright-eyed performance from Ian McKellen, Bill Condon’s Mr Holmes is a handsome portrait of the detective as an old man.
★★★★☆
Dividing the world in two on a butterfly’s wing, Marco Berger’s Mariposa is a charming, delicate tale of the unflappable nature of love.
★★★★☆
Dancing, walking, laughing and shooting their way down the boulevard of broken dreams, Sebastian Schipper’s Victoria is a lyrical one-take wonder.
★★★☆☆
A handsome adaptation of Mirbeau’s novel, Benoît Jacquot’s Diary Of A Chambermaid is a vibrant celebration of fin-de-siècle style.
★★★★☆
A beautifully lensed portrait of Mayan life under the Pacaya volcano, Jayro Bustamante’s Ixcanul exposes the terrifying vulnerability of indigenous peoples.
★★★☆☆
From pimp to karate teacher, Rosa von Praunheim’s Härte paints a portrait through documentary and drama of a life of violence after a childhood of abuse.
★★★☆☆
Putting an unhappy life under the microscope, Ole Giæver’s Out Of Nature is an acute but glum excursion into first world problems.
★★★☆☆
A tense tale of Mexican machismo as a young gun-runner hooks up with a US cop, Gabriel Ripstein’s 600 Miles shows the gangster genre from its sensitive side.
★★★★☆
With brilliant performances from Rampling and Courtenay, Andrew Haigh’s 45 Years is an intense observation of a lifetime of marriage unravelled in one week.
★★☆☆☆
A bombastic wannabe epic about desert explorer Gertrude Bell, not even Kidman and Franco can save Werner Herzog’s The Queen Of The Desert.
★★★☆☆
A powerful dramatisation of Martin Luther King’s final battle, Ava DuVernay’s Selma is a moving account of the march on racism and the man behind the movement.
★★★☆☆
A collection of short films marking the turning points in interconnected lives, The Turning is a dark celebration of Australia and its frustrated people.
★★☆☆☆
A sober portrait of the woman accompanying Heinrich von Kleist into the hereafter, Jessica Hausner’s Amour Fou isn’t quite as mad as it should be.
★★★☆☆
Shifting the story from polar explorer Peary to his wife, Isabel Coixet’sNobody Wants The Night offers a distinctly female slant on colonisation.