Q’s Garbage unfurls like a beautiful scream of pain and rage against Indian society gone dystopianly wrong.
Exposing India’s labyrinthine judicial system, Chaitanya Tamhane’s debut feature Court brings a slow dread to the impossibility of justice.
In Mumbai, a lunchbox accidentally delivered to the wrong person leads to a romance by correspondence between two lonely people.
Caught between tradition and progress, Mira Nair’s The Reluctant Fundamentalist turns Mohsin Hamid’s bestselling novel into a cat and mouse thriller.
A colourful journey through India’s rich history, Deepa Mehta’s Midnight’s Children is a beautiful adaptation of Rushdie’s unfilmable novel, vibrant and beguiling.