With an exceptionally raw performance from Paprika Steen, Applaus is a devastatingly real representation of an alcoholic’s life on the rocks.
Is it really worth it? With no hope or catharsis, John Hillcoat’s The Road is a grimly nihilistic portrait of suffering in the face of the apocalypse.
This time it’s the US economy on trial as Michael Moore takes on Wall Street in his latest documentary Capitalism A Love Story.
Coursing through Tokyo’s veins by night, Gaspar Noé’s Enter The Void is a psychotropic feast for the senses.