Festival Review: Don’t Call Me Son (2016)
★★★☆☆
Depicting the impossible situation of teenagers reclaimed by birth parents, Anna Muylaert’s Don’t Call Me Son clothes her emotion in a plain black smock.
Female Filmmakers
Festival Review: A Serious Game (2016)
★★☆☆☆
An evocative period drama of forbidden love, Pernilla August’s em>A Serious Game is disappointingly short on characterisation and emotion.
Sherpa (2015)
★★★☆☆
Giving a voice to the sherpas who risk life and limb to make a living on Everest, Jennifer Peedom’s Sherpa finds itself caught between two camps.
Suffragette (2015)
★★★☆☆
Celebrating nearly a century of women’s right to vote, Sarah Gavron’s Suffragette is an important and inspirational film on democracy in action.
The Second Mother / Que Horas Ela Volta? (2015)
★★★★☆
With a cracking performance from Regina Casé and a sharp script, Anna Muylaert’s The Second Mother is a well polished gem of class friction in Brazil.
Miss Julie (2014)
★★★☆☆
Transporting August Strindberg’s play to colonial Ireland, Liv Ullmann’s Miss Julie imbues her underwhelming tale of forbidden love with Swedish style.
Gemma Bovery (2014)
★★★☆☆
As light and summery as one of her floaty summer frocks, Anne Fontaine’s Gemma Bovery brings to life Posy Simmonds’ graphic novel of Flaubert’s classic.
Eden (2014)
★★☆☆☆
Charting the hopes and dreams of her DJ brother Sven, Mia Hansen-Løve’s celebration of French house music Eden might be leading us up the garden path.
What Happened, Miss Simone? (2015)
★★★★☆
Charting the rise, fall and rise again of Nina Simone, Liz Garbus’s What Happened, Miss Simone? creates an icon of the High Priestess of Soul.
A Girl Walks Home Alone At Night (2014)
★★★☆☆
An Iranian skateboarding vampire movie, Ana Lily Amirpour’s A Girl Walks Home Alone At Night is a quirky, stylish addition to the genre.
Girlhood / Bande de Filles (2014)
★★★★☆
Set to a pulse-pounding soundtrack, Céline Sciamma’s Girlhood encapsulates the careless, giddy energy of teendom.
Argerich Bloody Daughter (2012)
★★★☆☆
A family portrait and a fly-on-the-wall bio-doc of a great pianist, Stéphanie Argerich’s Argerich – Bloody Daughter wraps itself up in maternal knots.
The Falling (2014)
★★☆☆☆
As a wave of falling sickness takes over an all-girls school, Carol Morley’s The Falling plucks female empowerment from a maelstrom of teenage desire.
Appropriate Behavior (2014)
★★★☆☆
Directed, written by and starring Desiree Akhavan, Appropriate Behavior is a very personal New York story of the conflicting demands of love, self and family.