Mommy by Mark Wilshin Returning to the subject of his first film I Killed My Mother, Xavier Dolan’s Mommy describes the tempestuous relationship between…Read More
Wild by Mark Wilshin Much like John Curran’s Tracks at last year’s London Film Festival, Jean-Marc Vallée’s Wild follows one lone woman Cheryl Strayed…Read More
A relationship tattooed in love and hate, Xavier Dolan’s Tom At The Farm is a tense thriller where homosexual love meets homophobia at its most dangerous.
A documentary-style feature where fiction fades into the background, Jem Cohen’s Museum Hours is a thought-provoking contemplation of art beyond the frame.
It’s girl power Fifties style in Laurent Cantet’s Foxfire as a brazen girl-gang, taking on man and the world, spread dissent like wildfire.
Stylish, witty and clever, Xavier Dolan’s Queer Palm winner Laurence Anyways shows the pain of reinvention, the tragedy of impossible love and the survival of the spirit.
Twisting through two love stories in Sixties’ Paris and modern Montreal, Jean-Marc Vallée’s Café de Flore is a devastating tornado of story and image.
Blazing a trail through Lebanon and a family’s past, Denis Villeneuve’s Incendies tiptoes through a chain of unstoppable fires to a reconciliatory future.
Navigating the ménage à trois with elegant indifference, Xavier Dolan’s Les Amours Imaginaires is a glorious feast of colour and rancid joie de vivre. Who said anything about subtle?
Franco-Hollywoodien director Michel Gondry’s latest, L’Épine dans le Coeur, turns the camera en his own famille in this heartfelt documentary.