London Film Festival 2013 – Day 12
And so after 12 days and over 250 features from 57 countries, we end where we began – with a Tom Hanks Hollywood blockbuster….
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And so after 12 days and over 250 features from 57 countries, we end where we began – with a Tom Hanks Hollywood blockbuster….
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★★★☆☆
A meditation on the ties that bind, Hirokazu Koreeda’s Like Father Like Son is a delicately Japanese exploration of fatherhood, blood and ambition.
After his own particular take on the assassin movie, Jim Jarmusch is reinventing the vampire genre with Only Lovers Left Alive. After the Twilight…
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Returning to themes of freedom and return, Steve McQueen’s Toronto Film Festival Audience Award winning 12 Years A Slave is set for much bigger…
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★★★★★
Love and the circle of life are put to the test in Felix Van Groeningen’s heartbreaking The Broken Circle Breakdown. But will the circle be unbroken?
★★★★☆
A moving portrait of a model on the make and an actress facing her demons, Liz Garbus’s Love, Marilyn brings the Hollywood icon back to life.
★★★☆☆
A divorced woman who is the parent of a teenage daughter disovers that the man she’s just started a relationship with is the ex-husband of her new female friend.
After yesterday’s Don Jon, the sex continues. And most explicitly with Abdellatif Kechiche’s Blue is The Warmest Colour – the Palme d’Or winner at…
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Sex, lies and money are today’s hooks, lines and sinkers, starting with Stephen Frears’ Philomena. Based on the book by former BBC journalist and…
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Of course, the headline film should really be the Coen Brothers’ Inside Llewyn Davis, but instead I’m choosing Tracks – John Curran’s recreation of…
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It must be a sign of the times. And combining all those zeitgeisty themes of fathers and sons (Nebraska, Like Father Like Son) and…
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Freedom, obsession and discrimination, it’s all here. And in Poland, Iran, Bosnia-Herzegovina, Sweden and South Africa. First, there’s Jafar Panahi’s Closed Curtain, his fictional…
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And now it’s time for the heavy hitters. Enter Juliette Binoche and Robert Redford in two equally spare one-handers. In Bruno Dumont’s film it’s…
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The vogue for monochrome continues with Alexander Payne’s Nebraska. And after Hawaii in The Descendants, Payne ups sticks to another overlooked state, this time…
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