French Film Festival UK: Slack Bay (Ma Loute) (2016)
★★★★☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Slack Bay exposes the grotesque in everyone.
★★★★☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Slack Bay exposes the grotesque in everyone.
★★★★☆
Albert Serra’s compelling film about the slow death of the Sun King features an extraordinary performance by the legendary Jean-Pierre Léaud.
★★★★☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Slack Bay exposes the grotesque in everyone.
★★★★☆
François Ozon’s Frantz takes you on a haunting journey into the unexpected ramifications of grief, forgiveness and identity in the European aftermath of World War I.
★★★★★☆
In Koji Fukada’s Harmonium, the fragile harmony of a Japanese family is shattered by the arrival of a mysterious stranger.
★★★☆☆
In Clash director Mohamed Diab creates an intensely moving microcosm of Egyptian society in the confined space of a police van as riots erupt outside.
★★★★☆
A sumptuous new adaptation of Sarah Waters’ Fingersmith, Park Chan-wook’s The Handmaiden is a dazzling tale of duplicity and deception.
★★★★☆
Pablo Larraín’s fictional biopic of Chile’s greatest poet creates a magical realist cat-and-mouse story that Neruda himself would have enjoyed.
★★★★☆
Aquarius is Kleber Mendonça Filho’s unhurried portrait of a fascinatingly complicated woman, meticulously characterised in a career-best performance by Sonia Braga.
★★★★☆
A charismatic, nuanced turn by Kristen Stewart holds together an improbable yet strangely compelling mixture of fashion and supernatural horror in Oliver Assayas’s Personal Shopper.
★★★★☆
Asghar Farhardi’s The Salesman illuminates universal moral arguments about masculinity by presenting them in parallel with a production of Arthur Miller’s stage play in contemporary Iran.
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
★★★★☆
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table.
★★★☆☆
Marco Bellochio’s Sweet Dreams is a journalist’s belated emotional coming of age as he investigates the death of his mother.