
Peter von Kant (2022)
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
★★★☆☆
The King by David Michôd takes a revisionist look at the history we know from Shakespeare, with a star performance by Timothée Chalamet as Henry V.
★★★★☆
BFI LFF 2019: 8-13 October. The Whistlers, Deerskin, Algo-Rhythm and So Long, My Son.
★★★★☆
Read More★★★★☆
3 Days in Quiberon by Emily Atef is a compelling slice of a few days in the life of actress Romy Schneider as she gives her last interview.
★★★★☆
Previews from the London Film Festival 10-21 October – Border, Assassination Nation, Papi Chulo, Lizzie, The Guilty and Joy.
★★★★☆
Cannes Film Festival 2018
★★★★☆
The captivating German/Bulgarian culture clash in Valeska Grisebach’s Western could only happen in the EU and it’s subversive.
★★★★☆
Michael Haneke’s Happy End deconstructs the internal dynamics of a wealthy bourgeois family living a life oblivious to the human beings around them, with chilling results.
Read More★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
★★★☆☆
A delicious comedy exposing the tit-for-tat that sees violence perpetuate, Josef Hader’s Wild Mouse is an uproarious plea for emotional honesty.
★★★★☆
Set in Austria’s musical circles, Klaus Händl’s sensuous and delicate Kater sees an idyll of gay love torn asunder by a moment of violence.