Venice 2024: The Witness (2024) (Shahed)
★★★★☆
The Witness, directed by Nader Saeivar and co-written with Jafar Panahi, uses women and dance to tell the story of contemporary Iran.
★★★★☆
The Witness, directed by Nader Saeivar and co-written with Jafar Panahi, uses women and dance to tell the story of contemporary Iran.
★★★☆☆
What a feeling by Kat Rohrer is a romcom of two middle-aged women, a late ‘coming of age’.
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps , screened in the BFI London Film Festival 2022.
★★★☆☆
The King by David Michôd takes a revisionist look at the history we know from Shakespeare, with a star performance by Timothée Chalamet as Henry V.
★★★★☆
BFI LFF 2019: 8-13 October. The Whistlers, Deerskin, Algo-Rhythm and So Long, My Son.
★★★★☆
Read More★★★★☆
3 Days in Quiberon by Emily Atef is a compelling slice of a few days in the life of actress Romy Schneider as she gives her last interview.
★★★★☆
Previews from the London Film Festival 10-21 October – Border, Assassination Nation, Papi Chulo, Lizzie, The Guilty and Joy.
★★★★☆
Cannes Film Festival 2018
★★★★☆
The captivating German/Bulgarian culture clash in Valeska Grisebach’s Western could only happen in the EU and it’s subversive.
★★★★☆
Michael Haneke’s Happy End deconstructs the internal dynamics of a wealthy bourgeois family living a life oblivious to the human beings around them, with chilling results.
Read More★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.