Opus Zero (2017)
★★☆☆☆
Willem Dafoe is central to Opus Zero, Daniel Graham’s nebulous, Mexico-set feature debut.
Mexico
Birds of Passage (2018)
★★★★☆
In Birds of Passage, directed by Cristina Gallego and Ciro Guerra, the violent birth of Colombia’s drug trade destroys a unique traditional culture.
We Are The Weirdos (2019)
We Are The Weirdos 2019, woman-directed shorts presented by The Final Girls feminist film collective, showcases the most exciting new female voices in genre cinema from around the world.
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Roma (2018)
★★★★★
Roma is Alfonso Cuarón’s beautiful and compelling homage to his family’s maid, Libo, when he was growing up in Mexico in the 1970s.
BFI LFF Review: Birds of Passage (2018)
★★★★☆
In Birds of Passage, directed by Cristina Gallego and Ciro Guerra, the violent birth of Colombia’s drug trade destroys a unique traditional culture.
Cannes Film Festival 2018: Day 10
★★★★☆
Cannes Film Festival 2018
The Revenant (2015)
★★★★☆
An electrifying and gripping tale of one man’s journey back from the dead, Alejandro González Iñárritu’s The Revenant finds an unexpectedly spiritual side to revenge.
Festival Review: Desierto (2015)
★★☆☆☆
A horror movie set on the Mexican border, Jonas Cuaron’s Desierto is a barren wasteland of American violence and Mexican victims.
Festival Review: 600 Miles / 600 Millas (2015)
★★★☆☆
A tense tale of Mexican machismo as a young gun-runner hooks up with a US cop, Gabriel Ripstein’s 600 Miles shows the gangster genre from its sensitive side.
Heli (2013)
★★★★☆
In a corrupt and broken Mexican society, Heli sees an innocent family bring violent retribution on themselves when they unwittingly cross a brutal drug cartel.
Post Tenebras Lux (2012)
★★★☆☆
A semi-autobiographic patchwork of family, sex and violence, Carlos Reygadas’s Post Tenebras Lux casts a distorted view over his own past, present and future.
Biutiful (2010)
★★★☆☆
Dying of prostate cancer and struggling to put his house in order, Alejandro González Iñárritu’s Biutiful sees shady Javier Bardem melt away.
Abel (2010)
★★☆☆☆
With its little boy lost fresh from the mental ward, Diego Luna’s fictional debut Abel is a family story, both comic and tragic. Albeit a bit bipolar.
Leap Year / Año Bisiesto (2010)
★★★★☆
Minimalism on a microbudget, Michael Rowe’s Camera d’Or winning Mexican debut Leap Year is a masochist’s delight. With an Australian fascination for light.