Bacurau (2019) – ON DEMAND
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
Brazil
BFI LFF 2019: Bacurau (2019)
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
Cannes Film Festival 2019: Day 3
★★★★☆
Cannes Film Festival 2019: Day 3
Cannes Film Festival: Bacurau (2019)
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
The Heiresses/Las Herederas (2018)
★★★★☆
Economically crumbling Paraguay after many years of patriarchal dictatorship is the setting for a subtle story of female self-discovery in Marcelo Martinessi’s The Heiresses.
The Ciambra (2017)
★★★★☆
The Ciambra is an extraordinary first feature by Jonas Carpignano, a follow-up to Mediterraneo, that has ordinary people, non-professional actors, playing fictionalised versions of themselves in a reality-rooted drama.
Zama (2017)
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
Bingo: The King of the Mornings (2017)
★★★☆☆
Rampant with brash 1980s Brazilian political incorrectness, Daniel Rezende’s Bingo: The King of the Mornings is based on a true story of an actor’s downfall.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
Aquarius (2016)
★★★★☆
Aquarius is Kleber Mendonça Filho’s unhurried portrait of a fascinatingly complicated woman, meticulously characterised in a career-best performance by Sonia Braga.
Joaquim (2017)
★★★☆☆
A pastoral account of the politicisation of Brazilian hero Tiradentes, Marcelo Gomes’ Joaquim makes up for its slow pace with delicious images.
Festival Review: Don’t Call Me Son (2016)
★★★☆☆
Depicting the impossible situation of teenagers reclaimed by birth parents, Anna Muylaert’s Don’t Call Me Son clothes her emotion in a plain black smock.
Festival Review: A Guy From Fenyang (2014)
★★★☆☆
Uncovering the life and works of Jia Zhangke in his home city, Walter Salles’ A Guy From Fenyang reveals the metropolis behind the man.