
Cannes Film Festival: Day 3: 18 May 2023
★★★★☆
Cannes Film Festival 2023: Day 3: 18 May 2023
★★★★☆
Cannes Film Festival 2023: Day 3: 18 May 2023
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
★★★☆☆
Listen, Ana Rocha de Sousa’s powerful first film about forced adoption, is heart-rending and almost unbearable to watch at times.
★★★★★
Flee, by Jonas Poher Rasmussen, a documentary made with a blend of animation and archive footage tells an immensely powerful true story of a gay Afghan refugee in Denmark.
★★★★☆
Award-winning Mexican director Alonso Ruizpalacio with A Cop Movie has made a brilliant, intriguing and innovative – and startlingly genre-unclassifiable – film, starring Mónica Del Carmen and Raúl Briones.
★★★☆☆
Fátima is a fascinating glimpse of Catholic faith, respectfully translated to the screen by Marco Pontecorvo.
★★★☆☆
William Nicholson’s Hope Gap benefits from a starry cast in the stagey story of the death of love in a middle-aged, middle-class marriage on the South Coast.
★★★★★
Ali Abbassi’s Border (Gräns) is startlingly original, a magical fantasy (or is it?) that blends the real world with Nordic myth and folklore.
★★★☆☆
In After the Wedding Bart Freundlich piles unlikely event on unlikely event on Julianne Moore and Michelle Williams in a weepie melodrama that reaches emotional overload.
★★★★☆
Four films at the BFI London Film Festival paint a thought-provoking picture of British women not ‘having it all’ from teenage. coming of age, adulthood to middle age.
★★★★☆
Sometimes Always Never, directed by Carl Hunter, is a delightfully quirky film puzzle that revolves around Scrabble and that always-compelling national treasure Bill Nighy.
★★★★☆
Cannes Film Festival 2019: Day 3
★★★☆☆
Julia Roberts plays a mother fighting to hold onto her relationship with her son in the face of his drug problems in writer/director Peter Hedges’ drama Ben is Back.
★★★★☆
The pursuit of artistic desire goes too far in writer/director Sara Colangelo’s slow burning drama The Kindergarten Teacher based on the 2014 Israeli film and showcasing a tremendous performance from Maggie Gyllenhaal.