The Roads Not Taken (2020)
★★★☆☆
The Roads Not Taken has the best of motives – it’s acclaimed director Sally Potter’s way of conveying how her brother’s dementia fractured his personality. It’s very personal, maybe too personal.
Poland
Cannes Film Festival 2018: Day 11
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 9
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 4
★★★★☆
Cannes Film Festival 2018.
Berlinale: Dovlatov (2018)
★★★☆☆
Alexey German Jr’s character study of a great Russian writer in Dovlatovencapsulates its time period superbly, but fails to go beyond that.
Berlinale: Tower. A Bright Day. (2017)
★★★☆☆
As mystifying as it is transfixing, Jagoda Szlec’s feature-length debut Tower. A Bright Day is an astute blend of dread and mundanity.
BFI LFF: Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
BFI LFF: Birds Are Singing in Kigali (2017)
★★★☆☆
In Birds Are Singing in Kigali two women return to Rwanda to find out if healing is possible after the genocide.
Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
Festival Review: United States Of Love (2016)
★★★☆☆
A portrait of four pained women on the cusp of freedom, Tomasz Wasilewski’s United States Of Love takes its passion removed, rejected and unrequited.
Festival Review: Body / Cialo (2015)
★★★☆☆
Anorexia, ghosts and the broken bond between father and daughter, Malgorzata Szumowska’s Body is a finely acted black comedy about laying grief to rest.
Ida (2013)
★★★★☆
Beautifully shot in black and white, Pawel Pawlikowski’s Ida leads us on a meaningful road trip into a dark night of the Holocaust, Catholicism, and jazz.
Floating Skyscrapers / Plynace Wiezowce (2013)
★★★☆☆
Down and out in Warsaw, Tomasz Wasilewski’s haunting Floating Skyscrapers explores identity in flux and gay love in a hopeless place in contemporary Poland.
In The Name Of / W Imie (2013)
★★★★☆
Love in a dark time, Malgorzata Szumowska’s In The Name Of evokes the desolation of a gay man in conflict with God with summertime brilliance.