Ema (2019)
★★★★☆
Sometimes enigmatic and confusing, sometimes fiery with emotion, Pablo Larrain’s intriguing Ema peels the layers off a woman’s dance with death.
★★★★☆
Sometimes enigmatic and confusing, sometimes fiery with emotion, Pablo Larrain’s intriguing Ema peels the layers off a woman’s dance with death.
★★★★☆
Deerskin (Le Daim) by Quentin Dupieux is an oddball, quirky black comedy about a suede jacket with killer propensities.
★★★★☆
It Must Be Heaven continues Elia Suleiman’s deadpan global quest for recognition of Palestinian identity and homeland.
★★★★☆
Written by, directed by and starring Billie Piper, Rare Beasts, a self-styled ‘anti-romcom’, is a manic Munch-like scream about what it’s like to be a modern, thirty-something woman trying to have it all while there’s a crisis all around.
★★★☆☆
In original, smart buddy comedy movie The Climb co-writer/directors Kyle Marvin and Michael Angelo Covino play two losers also called Kyle and Mike.
★★★☆☆
Nocturnal, by director/writer Nathalie Biancheri, has a suspenseful surprise that turns creepy horror into emotional drama.
★★★★☆
Rocks by Sarah Gavron is a sad and joyous film about the resilience and spirit of girlhood – sisterhood at its most powerful.
★★★☆☆
Waiting for the Barbarians by acclaimed director Ciro Guerra is a beautiful, well-acted, slow-moving allegory of imperialism.
★★★★☆
Psychological horror Koko-di Koko-da is a genre-bending, adult riff on a Swedish nursery rhyme, directed by Johannes Nyholm.
★★★☆☆
William Nicholson’s Hope Gap benefits from a starry cast in the stagey story of the death of love in a middle-aged, middle-class marriage on the South Coast.
★★★★☆
Babyteeth is a vivid new take on coming-of-age directed by Shannon Murphy from a script that Rita Kalnejais adapted from her play of the same title.
Make Up is an original coming-of-age horror/drama by first-time director Claire Oakley.
Read More★★★★☆
The Whistlers (La Gomera) by Corneliu Porumboiu is a Romanian crime thriller with a twisting plot, lots of corruption and a black comedy feel.
The Man Who Killed Don Quixote by Terry Gilliam is a confusingly intricate blend of past and present, fiction, reality and filmmaking.
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