Thessaloniki Documentary Festival: The Laughing Boy (An Buachaill Geal Gháireach) (2022)
★★★★☆
An Buachaill Geal Gáireach (The Laughing Boy) is the extraordinary untold story of a song that resonated for freedom in Ireland and Greece.
Europe
Close (2022)
★★★★☆
Close by Lukas Dhont (Girl) is a heartbreaking film of two boys’ friendship.
Berlinale 2023 Review: El Castillo (2023) (The Castle)
★★★☆☆
Berlinale presents San Sebastián award winner El Castillo (The Castle) a strangely moving mixture of documentary and fiction by Martin Benchimol.
EO (2022)
span style=”color:#D1A316″>★★★★☆
EO, veteran director Jerzy Skolimowski’s compelling, beautifully shot homage to Bresson’s classic, takes a donkey’s eye view of the vagaries of life.
Saint Omer (2022)
★★★★☆
Saint Omer by Alice Diop is a harrowing and haunting political drama about the complexities of being a Black woman and the pressures of motherhood, inspired by real events.
Holy Spider (Ankabut-e moqaddas) (2022)
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
Peter von Kant (2022)
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
Corsage (2022)
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
Kanaval: A People’s History of Haiti in Six Chapters (2022)
★★★★☆
Kanaval, an immersive documentary by Leah Gordon and Eddie Hutton-Mills reveals the traditional and cultural significance of carnival in Haiti with striking footage and in Haitians own words.
Neptune Frost (2021)
★★★☆☆
Neptune Frost, a visionary collaboration between poet/artist Saul Williams and actress and playwright Anisia Uzeyman, is a unique Afro-futurist political musical filmed in Rwanda.
Triangle of Sadness (2021)
★★★★☆
Triangle of Sadness, Ruben Ôstland’s second Palme d’or winner, is an uncompromising black contemporary satire.
Emily (2022)
★★★★☆
Emily Brontë’s creative inspiration is explored through an imagined version of the author’s short life in Frances O’Connor’s stirring directorial debut Emily.
All is Vanity (2021)
★★☆☆☆
All is Vanity directed by Marcos Mereles is a ‘Marmite’ feature debut.
The Lost King (2022)
★★★☆☆
Sally Hawkins stars as an amateur historian in search of the grave of King Richard III in director Stephen Frears’ uplifting true-story drama The Lost King.