1976 (2022)
★★★★☆
Chilean political thriller 1976 is an unbearably tense and involving debut from actor turned director Manuela Martelli, starring award-winning Aline Kuppenheim.
★★★★
Thessaloniki Documentary Festival: The Laughing Boy (An Buachaill Geal Gháireach) (2022)
★★★★☆
An Buachaill Geal Gáireach (The Laughing Boy) is the extraordinary untold story of a song that resonated for freedom in Ireland and Greece.
Lanuna: A Yak in the Classroom (2019)
★★★★☆
Set in a remote village in the beautiful mountains of Bhutan, Lunana: A Yak in the Classroom is a charming, photogenic feature debut by writer/director Pawo Choyning Dorji.
Close (2022)
★★★★☆
Close by Lukas Dhont (Girl) is a heartbreaking film of two boys’ friendship.
EO (2022)
span style=”color:#D1A316″>★★★★☆
EO, veteran director Jerzy Skolimowski’s compelling, beautifully shot homage to Bresson’s classic, takes a donkey’s eye view of the vagaries of life.
Saint Omer (2022)
★★★★☆
Saint Omer by Alice Diop is a harrowing and haunting political drama about the complexities of being a Black woman and the pressures of motherhood, inspired by real events.
Holy Spider (Ankabut-e moqaddas) (2022)
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
Corsage (2022)
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
A Love Song (2022)
★★★★☆
Dale Dickey plays a widow reflecting on life and love and the possibility of connection with an old friend in writer/director Max Walker-Silverman’s tender character study A Love Song.
Kanaval: A People’s History of Haiti in Six Chapters (2022)
★★★★☆
Kanaval, an immersive documentary by Leah Gordon and Eddie Hutton-Mills reveals the traditional and cultural significance of carnival in Haiti with striking footage and in Haitians own words.
No Bears (2022)
★★★★☆
No Bears is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
Triangle of Sadness (2021)
★★★★☆
Triangle of Sadness, Ruben Ôstland’s second Palme d’or winner, is an uncompromising black contemporary satire.
Emily (2022)
★★★★☆
Emily Brontë’s creative inspiration is explored through an imagined version of the author’s short life in Frances O’Connor’s stirring directorial debut Emily.
It Is In Us All (2022)
★★★★☆
It Is In Us All is a strange and mystical film debut by Antonia Campbell-Hughes. held together by Cosmo Jarvis’s extraordinarily visceral central performance, set against awe-inspiring, massive Irish landscapes.