
Azor (2021)
★★★★☆
Azor, Andra Fontana’s subtle, sophisticated feature debut, unsettles with an increasing sense of dread as a Swiss banker is enveloped in the Argentinian junta’s heart of darkness.
★★★★☆
Azor, Andra Fontana’s subtle, sophisticated feature debut, unsettles with an increasing sense of dread as a Swiss banker is enveloped in the Argentinian junta’s heart of darkness.
★★★★☆
Azor, Andra Fontana’s subtle, sophisticated feature debut, unsettles with an increasing sense of dread as a Swiss banker is enveloped in the Argentinian junta’s heart of darkness.
★★★★★
Monos by Alejandro Landes, set among volatile, trainee teenage guerillas in Latin America, is quite simply of this year’s best and most disturbing films.
★★★★☆
BFI LFF 2019: COMPETITION WINNERS
★★★★★
Monos by Alejandro Landes (Porfirio), set among volatile, trainee teenage guerillas in Latin America, is quite simply one of this year’s best and most disturbing films.
★★★★☆
Willem Dafoe stunningly inhabits the outer shell of tormented artist Vincent Van Gogh in Julian Schnabel’s disturbing, arty biopic At Eternity’s Gate.
★★★★☆
Xavier Beauvois’ The Racer and the Jailbird stars Adèle Exarchopoulos and Matthias Schoenaerts in an intense, high-speed love affair.
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018.
★★★★☆
Xavier Beauvois’ The Guardians Les Guardiennes is a beautiful period recreation of a time of change for women and society in rural France during the First World War.
★★★☆☆
A family portrait and a fly-on-the-wall bio-doc of a great pianist, Stéphanie Argerich’s Argerich – Bloody Daughter wraps itself up in maternal knots.
★★★☆☆
The portrait of a teenage mentally handicapped girl in the first throes of sex, Stina Werenfels’ Dora Or The Sexual Neuroses Of Our Parents comes unhinged.
★★★★☆
Going back to the future through interviews with Switzerland’s first gay married couple, Stefan Haupt’s half-documentary The Circle reveals a postwar openness ahead of its time.