Close (2022)
★★★★☆
Close by Lukas Dhont (Girl) is a heartbreaking film of two boys’ friendship.
features
Broker (2022)
★★★★☆
Broker by Hirokazu Koreeda, starring acclaimed actor Song Kang-ho and K-Pop star Lee Ji-eun, is a heartwarming tragi-comic Korean drama about families that form themselves by choice not birth.
Decision to Leave (2022)
★★★★☆
Cannes-award-winning unforgettable Decision to Leave directed with pyrotechnical flair by Park Chan-wook is a haunting Korean neo-noir and yet so much more.
Holy Spider (Ankabut-e moqaddas) (2022)
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
Peter von Kant (2022)
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
Corsage (2022)
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
Triangle of Sadness (2021)
★★★★☆
Triangle of Sadness, Ruben Ôstland’s second Palme d’or winner, is an uncompromising black contemporary satire.
BFI LFF 2022 Award Winners
★★★★☆
BFI LFF 2022 Award Winners
All is Vanity (2021)
★★☆☆☆
All is Vanity directed by Marcos Mereles is a ‘Marmite’ feature debut.
The Lost King (2022)
★★★☆☆
Sally Hawkins stars as an amateur historian in search of the grave of King Richard III in director Stephen Frears’ uplifting true-story drama The Lost King.
Faya Dayi (2021)
★★★★☆
Faya Dayi, a poetic documentary by director, producer and cinematographer Jessica Beshir, paints a tapestry of haunting recollections and stories about khat that create a vivid picture of the socio-political landscape in Ethiopia.
Everything Went Fine (2021) (Tout s’est bien passé)
★★★★☆
Everything Went Fine by François Ozon is a tender, surprisingly darkly humorous look at euthanasia and family relationships.
Casablanca Beats (2021)
★★★★☆
In Casablanca Beats, director Nabil Ayouch blurs the line between fiction and documentary in the exhilarating story of a charismatic group of young would-be rappers in Morocco.
Drive My Car (2021)
★★★★★
strong>Drive My Car, directed with a delicate, luminous touch by Ryusuke Hamaguchi, deservedly won the Oscar this week for Best Film International Feature, the first Japanese film ever to do so.