BFI LFF Review: Colette (2018)
★★★★☆
Keira Knightley dons a corset again to portray France’s greatest woman author Colette from country girlhood to scandalous adulthood in Wash Westmoreland’s Colette.
UK
Us and Them (2017)
★★★★☆
Joe Martin’s Us and Them is a violent riff on the inequalities of contemporary British society that incense articulate young working-class Danny (Jack Roth, channelling his father Tim) and what he does about it.
On Chesil Beach (2017)
★★★☆☆
On Chesil Beach is a well-acted, sensitive adaptation of Ian McEwan’s novella.
Lean on Pete (2017)
★★★★☆
Andrew Haigh’s Lean on Pete is coming-of-age road movie grounded in the all-American setting of quarter-horse racing.
Beast
★★★★☆
Michael Pearce’s assured feature debut Beast is a clever, feral psychological horror that constantly surprises.
Funny Cow (2017)
★★★★☆
Funny Cow showcases Maxine Peake’s versatility when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
The Islands and the Whales (2016)
★★★★☆
The Islands and the Whales is a stunningly beautiful, unobtrusively shot documentary by Mike Day with a narrative that takes us into the lives of real people caught between tradition and global environmental change in the remote Faroe Islands.
Journeyman (2017)
★★★★☆
Paddy Considine directs and stars in Journeyman, a melodrama about the hidden toll of boxing.
Gholam (2017)
★★★☆☆
Mitra Tabrizian’s Gholam stars Shabab Hosseini in an intense story of a lonely exiles alienation from two cultures.
You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
Dark River (2017)
★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.
Journey’s End (2017)
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.
Daphne (2017)
★★★☆☆
A strong directorial debut by Peter Mackie Burns features an award-winning performance by Emily Beecham as the compelling central character in Daphne.
The Unseen (2017)
★★★☆☆
Gary Sinyor’s The Unseen is a well-made, contemporary British thriller with an original slant.