BFI LFF: The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
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BFI LFF: Anchor and Hope (2017)
★★★★☆
Carlos Marques-Marcet looks at London lifestyles on the water in Anchor and Hope, a modern romcom about ways of loving each other.
BFI LFF: Funny Cow (2017)
★★★★☆
Funny Cow is a showcase for Maxine Peake’s versatility as an acting talent when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
BFI LFF: Journey’s End (2017)
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.
BFI LFF: My Generation (2017)
Michael Caine cruises serenely through a presenting stint for My Generation, a stylish Rolls-Royce of documentaries, with his personal insider’s take on London in…
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BFI LFF: The Hungry (2017)
★★☆☆☆
The Hungry updates Shakespeare’s Titus Andronicus to India’s modern-day elite.
BFI LFF: Breathe (2017)
★★★☆☆
Opening the BFI London Film Festival, Andy Serkis’s debut as a director is the inspiring drama Breathe, a very moving true story.
BFI LFF: Lean on Pete (2017)
★★★☆☆
Andrew Haigh’s Lean on Pete is an appealing coming-of-age road movie grounded in the all-American setting of quarter-horse racing.
Brimstone (2016)
★★★★☆
Brimstone is an almost unbearably violent take on the Western with a strong female character at its centre.
Borg vs McEnroe (2017)
★★★☆☆
Janus Metz’s Borg vs McEnroe recreates Wimbledon 1980 and delves into the winning psychology of the two tennis rivals.
My Pure Land (2017)
★★★★☆
My Pure Land, director Sarmad Masud’s first feature, is a Pakistan-set, female, Western-style gun battle based on an extraordinary true story.
Una (2016)
★★★☆☆
Una is a disturbing drama about a difficult and provocative subject that subverts conventional expectations. Directed by Benedict Andrews, written by David Harrower, it stars Rooney Mara and Ben Mendlesohn.
God’s Own Country (2017)
★★★★☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.
Moon Dogs (2016)
★★★☆☆
Moon Dogs is an appealing, strongly Celtic coming-of-age road movie that showcases vibrant new talent and the riches of Scottish scenery.