Sightseers (2012)
★★★★☆
Where do British serial killers go on holiday? Caravanning in the Lake District, of course.
★★★★☆
Where do British serial killers go on holiday? Caravanning in the Lake District, of course.
★★★★☆
A London La Haine, Sally El-Hosaini’s mesmerising debut My Brother The Devil looks at brotherhood, homosexuality and turf wars in post-riot Hackney.
★★★☆☆
Against a Spanish backdrop of fantasy and fable, Jonathan Cenzual Burley’s debut The Soul Of Flies puts low-budget filmmaking to the test.
★★★☆☆
Set in Stratford’s badlands, Dexter Fletcher’s debut feature Wild Bill has Olympian dreams of turning a wayward father into a family hero. So very London 2012.
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.
★★★☆☆
Filmed over 12 years, Varon Bonicos’s A Man’s Story is more than a bio-doc on Ozwald Boateng, it’s a sharp look at the essence of the man.
★★★☆☆
Filmed in French, English and Polish, Pawel Pawlikowski’s The Woman In The Fifth offers a uniquely European look at love, literature and lunacy.
★★★☆☆
Patience (After Sebald) sees Grant Gee’s richly-textured path meander through the Suffolk countryside and the work of the acclaimed Anglo-German writer.
★★★☆☆
Respected Afro-British director John Akomfrah’s haunting film The Nine Muses is an unusual, genre defying, literary based contemplation of migration, memory and the power of elegy.
★★★★★
Michael Fassbender is at his leg-tapping best in Steve McQueen’s Shame, a tale of lonely frustration, sexual addiction and grim redemption.
★★★★☆
With a career redefining performance from Rachel Weisz, Terence Davies’ The Deep Blue Sea is a tour de force of classic filmmaking and nostalgia.
★★★☆☆
“Heathcliff, it’s me, Cathy come home,” Andrea Arnold drops the high drama of Emily Brontë’s Wuthering Heights in return for an opulence of visual treats.
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.
★★★★★
With Tilda Swinton’s soul-splintering performance as the mother of a high-school psychopath, Lynne Ramsay’s We Need To Talk About Kevin is killing me. Softly.