The Wound (2017)
★★★★☆
The Wound (Inxeba) by John Trengove stars Nakhane Touré in a tense drama of gay male sexuality brought into focus by the traditional Xhosa circumcision rite of passage.
London Film Festival 2017
Funny Cow (2017)
★★★★☆
Funny Cow showcases Maxine Peake’s versatility when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
Let the Sunshine In (2017)
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Let the Sunshine In (Un Beau Soleil Interior).
Western (2017)
★★★★☆
The captivating German/Bulgarian culture clash in Valeska Grisebach’s Western could only happen in the EU and it’s subversive.
Thoroughbreds (2017)
★★★★☆
A film adapted from his stage play, Thoroughbreds is Corey Finley’s directorial debut. It’s a stylised teen thriller/black comedy of well-plotted cross and double-cross with two amoral central characters.
120 BPM
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a moving, tender and compassionate film.
Sweet Country (2017)
★★★★★
Warwick Thornton’s bold and original period Aussie Western Sweet Country contrasts brutal men against land of spectacular beauty.
Journeyman (2017)
★★★★☆
Paddy Considine directs and stars in Journeyman, a melodrama about the hidden toll of boxing.
You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
Dark River (2017)
★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.
The Shape of Water (2017)
★★★★★
Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.
Loveless (2017)
★★★★★
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.
Journey’s End (2017)
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.