BFI LFF: Funny Cow (2017)
★★★★☆
Funny Cow is a showcase for Maxine Peake’s versatility as an acting talent when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
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BFI LFF: Lucky (2017)
★★★★☆
A fitting sendoff for a fantastic actor, Harry Dean Stanton embodies Lucky in a funny and touching slice of life that’s nearing its expiry date.
BFI LFF 2017: Manifesto (2015)
★★★★☆
Blanchett and Rosefeldt have teamed up to produce a series of manifesto-based vignettes that not only ponder the subject of art, but revel in its being.
BFI LFF: Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: Wajib (2017)
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
BFI LFF: Last Flag Flying (2017)
★★★★☆
Richard Linklater’s Last Flag Flying is an elderly Last Detail-type road trip in search of the American military dream.
BFI LFF: Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
BFI LFF: Journey’s End (2017)
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.
BFI LFF: GEMINI (2017)
★★★☆☆
Gemini is Aaron Katz’s pacy nouveau noir murder mystery set in the filmmaking community around Los Angeles.
BFI LFF: My Generation (2017)
Michael Caine cruises serenely through a presenting stint for My Generation, a stylish Rolls-Royce of documentaries, with his personal insider’s take on London in…
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BFI LFF: Félicité (2017)
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
BFI LFF: L’Amant Double (The Double Lover) (2017)
★★★☆☆
François Ozon is on quirky erotic form in L’Amant Double, a mystery of psychoanalysis and seduction.
BFI LFF: The Hungry (2017)
★★☆☆☆
The Hungry updates Shakespeare’s Titus Andronicus to India’s modern-day elite.
BFI LFF: Battle of the Sexes (2017)
★★★★☆
Serving well-rounded feminist statements while expertly juggling three intertwining stories, Battle of the Sexes is an outwardly reaching argument encapsulated in a tennis match.