
Festival Review: Cemetery Of Splendour (2015)
★★★☆☆
A visually haunting meeting of souls in a country hospital, Apichatpong Weerasethakul’s Cemetery Of Splendour puts a spectacle of lights over story.
★★★☆☆
A visually haunting meeting of souls in a country hospital, Apichatpong Weerasethakul’s Cemetery Of Splendour puts a spectacle of lights over story.
★★★★☆
Documenting the fall of New York City mayoral candidate Anthony Weiner, Josh Kriegman and Elyse Steinberg’s Weiner holds all the trumps.
★★★☆☆
A light comedy of thirty-somethings interfering in their friends’ lives, Clea DuVall’s The Intervention is a lightweight performance piece.
★★★★☆
A semi-autobiographical story of comedy in the heart of tragedy, Chris Kelly’s Other People sees both good things and bad happen to us all.
★★★★☆
Penned by David Gordon Green and with a cameo performance from James Franco, Andrew Neel’s hazing drama Goat has impeccable indie credentials.
And the winner of the Cannes Film Festival 2016 Palme d’Or is Ken Loach for his searing film of social criticism I, Daniel Blake.
Read More★★★★☆
A teen maelstrom of romance, secrets and family in the Essex countryside, Joe Stephenson’s Chicken is a moving portrait of a breaking idyll.
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
★★★☆☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Ma Loute exposes the grotesque in everyone.
★★★☆☆
With George Clooney and Julia Roberts, financial media gurus come under the gun in Jodie Foster’s star-studded Money Monster.
★★★★★
Moving, tragic and brutally direct, Ken Loach’s I, Daniel Blake is a scathing portrait of Britain’s benefits system.
★★★★☆
★★★★☆
As a scriptwriter turns shepherd, Alain Guiraudie’s Staying Vertical reveals an existence of fear and lusting in the Midi-Pyrénées.