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Dog And Wolf - The independent film review magazine for the latest in world cinema and the best of the film festivals
★★★, Berlin Film Festival 2017, Chile, festivals, Germany, London Film Festival 2017, Spain, USA

A Fantastic Woman (2017)

By Mark Wilshin

★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.

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★★★★, Berlin Film Festival 2018, France, Germany, Gus Edgar, Reviews, war

Berlinale: Transit (2018)

By Gus Edgar

★★★★☆
Christian Petzold’s fascinating present-day World War II film Transit is thematically and narratively dense, but there’s nothing dense in the way it goes about handling it.

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★★★, Female Filmmakers, festivals, London Film Festival 2017, Reviews, UK

Dark River (2017)

By Alexa Dalby

★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.

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★★★, Berlin Film Festival 2018, India

Berlinale: Garbage (2018)

By Alexa Dalby

★★★☆☆
Q’s Garbage unfurls like a beautiful scream of pain and rage against Indian society gone dystopianly wrong.

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★★★, Berlin Film Festival 2018, biopic, festivals, Gus Edgar, Poland, Reviews, Russia, Serbia

Berlinale: Dovlatov (2018)

By Gus Edgar

★★★☆☆
Alexey German Jr’s character study of a great Russian writer in Dovlatovencapsulates its time period superbly, but fails to go beyond that.

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Berlin Film Festival 2018, festivals, Poland

Berlinale: Tower. A Bright Day. (2017)

By Gus Edgar

★★★☆☆
As mystifying as it is transfixing, Jagoda Szlec’s feature-length debut Tower. A Bright Day is an astute blend of dread and mundanity.

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★★★★★, festivals, London Film Festival 2017, Reviews, sci-fi, USA

The Shape of Water (2017)

By Alexa Dalby

★★★★★
Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.

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★★★★★, Cannes Film Festival 2017, festivals, France, London Film Festival 2017, Russia

Loveless (2017)

By Alexa Dalby

★★★★★
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.

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★★, festivals, Gus Edgar, London Film Festival 2017, Reviews, UK, war

Journey’s End (2017)

By Gus Edgar

★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.

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★★★, Edinburgh International Film Festival 2017, Reviews, UK

Daphne (2017)

By Alexa Dalby

★★★☆☆
A strong directorial debut by Peter Mackie Burns features an award-winning performance by Emily Beecham as the compelling central character in Daphne.

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★★★, festivals, London Film Festival 2017, Reviews, sci-fi, USA

Downsizing (2017)

By Alexa Dalby

★★★☆☆
Alexander Payne’s Downsizing is a fantasy satire in microcosm on life, the universe and everything.

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★★★, festivals, London Film Festival 2017, USA

Last Flag Flying (2017)

By Alexa Dalby

★★★★☆
Richard Linklater’s Last Flag Flying is an elderly Last Detail-type road trip in search of the American military dream.

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★★★, documentary, Reviews, USA

The Final Year (2018)

By Alexa Dalby

The Final Year is a fascinating documentary by Greg Barker that’s almost Shakespearean in the rise and fall of its central characters, Barack Obama…

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★★★★★, Reviews, USA

Three Billboards Outside Ebbing, Missouri (2017)

By Alexa Dalby

★★★★★
Three Billboards Outside Ebbing, Missouri is Michael McDonagh’s five-star drama laced with humour featuring a gloriously Oscar-worthy performance by Frances McDormand.

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Previous 1 … 57 58 59 … 140 Next

Out now

  • Cactus Pears (2025) (Sabar Bonda)
  • CANNES 2026: WINNERS
  • The Stranger (2025) (L’Étranger)

About Dog And Wolf

Dog And Wolf is an independent, online film review magazine bringing you the latest in world cinema and the best of the film festival.

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Still in cinemas

  • Cactus Pears (2025) (Sabar Bonda)
  • CANNES 2026: WINNERS
  • The Stranger (2025) (L’Étranger)

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