How To Talk To Girls At Parties (2017)
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is an unlikely mash-up of punk and aliens in the British suburbs.
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is an unlikely mash-up of punk and aliens in the British suburbs.
★★★★☆
Michael Pearce’s assured feature debut Beast is a clever, feral psychological horror that constantly surprises.
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Let the Sunshine In (Un Beau Soleil Interior).
★★★★★☆
In BPM director Robin Campillo turns his naturalistic documentary-style technique from The Class on a group of AIDS activists in the epidemic of the 1990s in a moving, tender and compassionate film.
★★★★☆
The Islands and the Whales is a stunningly beautiful, unobtrusively shot documentary by Mike Day with a narrative that takes us into the lives of real people caught between tradition and global environmental change in the remote Faroe Islands.
★★★☆☆
Ruff cut – Wes Anderson’s surprise venture into animation in Isle of Dogs.
★★★☆☆
Ingmar Bergman’s version of Mozart’s The Magic Flute is a magical fairy tale of a production.
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
★★★★☆
Christian Petzold’s fascinating present-day World War II film Transit is thematically and narratively dense, but there’s nothing dense in the way it goes about handling it.
★★★☆☆
Alexey German Jr’s character study of a great Russian writer in Dovlatovencapsulates its time period superbly, but fails to go beyond that.
★★★★★
Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.
★★★☆☆
Alexander Payne’s Downsizing is a fantasy satire in microcosm on life, the universe and everything.