Cannes review: Rodin (2017)
★★★★☆
Rodin is a ploddingly, inexplicably uninteresting biopic of the revolutionary sculptor by Jacques Doillon.
★★
Interlude in Prague (2017)
★★★★☆
John Stephenson OBE’s take on Mozart’s making of Don Giovanni is a romantic farrago of beautiful costumes and music in Interlude in Prague.
Cannes review: Ismaël’s Ghosts (2017)
★★★★☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic interweaving of nightmare, filmmaking, fiction and reality.
Bitter Harvest (2017)
★★☆☆☆
In Bitter Harvest George Mendeluk explores a tragic period in Ukraine’s history and makes it the background to a love story.
Pieles (2017)
★★☆☆☆
A rhapsody in pink and purple pastels, Eduardo Casanova’s episodic debut Pieles doesn’t quite have the smarts to match its looks.
On The Beach At Night Alone (2017)
★★☆☆☆
With its quiet portrait of a lovesick actress, Hong Sang-soo’sOn The Beach At Night Alone reveals a disappointingly light vision of a male fantasy.
Colo (2017)
★★☆☆☆
An observational portrait of a family falling apart, Teresa Villaverde’s Colo goes beyond crisis towards independence.
Mr Long (2017)
★★☆☆☆
Rehabilitating the hitman with Japanese kindness, Sabu’s Mr Long flickers between moments of splendour, kitsch and sentimentality.
Le jeune Karl Marx (2017)
★★☆☆☆
Filmed in French, German and English, Raoul Peck’s Le jeune Karl Marx is an erudite rendition of Marx’s journey to Das Kapital.
Spoor (2017)
★★☆☆☆
A clarion call against the mistreatment of animals and the hunting confederacy of men, against Agnieszka Holland’s Spoor loses its way in the snowy mountains.
DOG EAT DOG (2016)
Flashily shot, ultra-violent and at times absurd. Paul Schrader’s fast-moving failed heist movie stars Nicholas Cage and Willem Dafoe. Dog Eat Dog CAUTION: Here…
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The Colony (2015)
★★☆☆☆
Florian Gallenberger’s thriller The Colony (Colonia) dramatises events following Chile’s 1973 coup.
La Danseuse (2016)
★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
Festival Review: News From Planet Mars (2016)
★★☆☆☆
After Lemming and The Monk, Dominik Moll’s News From Planet Mars is a desperate comedy of male empowerment and family harmony.