The Skin I Live In / La Piel Que Habito (2011)
★★★★☆
Neither really a return to form for Almodóvar nor a Banderas reinvention, The Skin I Live In is good clean, honest fun. Like Frankenstein and no monster.
★★★★☆
Neither really a return to form for Almodóvar nor a Banderas reinvention, The Skin I Live In is good clean, honest fun. Like Frankenstein and no monster.
★★★★☆
Playing the waiting game, Noer and Lindholm’s R: Hit First, Hit Hardest reveals the bitter, cinematic truth about life behind bars in a Danish prison.
★★★★☆
Split between Kenya and Denmark, Susanne Bier’s In A Better World has war and peace in its sights as its playground bullies test the pacifists to the limit.
★★★☆☆
With Kristin Scott Thomas charmingly exposing family secrets, Sarah’s Key combines the horror of the Vel d’Hiv round-up with modern traumas and untold stories.
★★★☆☆
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.
★★☆☆☆
A fly-on-the-wall documentary spotlighting the beautiful game’s men in black, The Referees looks at soccer from a different angle. More obtuse than acute.