Raindance Film Festival 2018

The Raindance Film Festival in London from 26 September to 7 October has 80 feature films, 99 short films, 22 music videos and 33 VR exhibits, including 31 world premieres, 28 international, 21 European and 81 UK premieres.

Come Rain or Shine

by Alexa Dalby


The UK Premiere of award winning director Marialy’s Rivas’ Princesita will be the Opening Night Film. Produced by Fabula, the Chilean production company created by the Larrain brothers, the film tells the story of twelve-year-old Tamara, who has been raised in a cult. As she becomes a young woman, she receives instructions for her life mission: to carry the successor, fathered by the cult leader, the charismatic Miguel.

Films nominated for Best International Film include the Opening Night film, Princesitata (Chile/Argentina/Spain); Israeli director Veronica Kedar’s Family (Israel/Germany); Kosai Sekine’s debut feature-length film Love at Least (Japan), a radical, stupid and very real love story; Sophie Fillières’ When Margaux Meets Margaux (France); Rene Eller’s We (The Netherlands/Belgium); directorial debuts from the Far East include Aya Igashi’s A Crimson Star (Japan) and Fog Forest’s The End of Wind (China); in Sean Hamish’s Saint Judy (USA), executive produced by Alfred Molina and starring Michelle Monaghan, we follow episodes of a fictitious regime change when, for an exceptional moment, power is held by ordinary people; Christopher Greenslate’s Saviours (USA) follows a young woman who embeds herself in a white power group in order to find her adoptive African-American mother; Sara Forestier’s M (France) is an opposites attract love story of Lila and Mo.

Films nominated for Best UK Film include George Michael and David Austin’s George Michael: Freedom – Director’s Cut, chosen as the Gay Times Special Screening, and featuring over thirty minutes of never seen before private footage, extraordinary performances and insight from famous friends – George’s self-portrait is one of love, loss, success, defeat and his creative process, revealing how the superstar masters the art of being one of the most influential artists of his generation.

Other nominees include Blair Macdonald and Oliver Clark’s debut feature Team Khan is a fly-on-the-wall documentary about professional boxer Amir Khan, filmed between 2014 – 16 as he chases a fight with the unbeaten superstar Floyd Mayweather Jr, whilst outside of the ring Amir must grapple with the significance of family, fame, and religion, as he grows from boxing’s golden child into a man; Louis Myles’ Kaiser! The Greatest Footballer Never to Play Football is the tale of the greatest sporting fraud of all time; We the Kings, directed by Lauren McKenzie, is a contemporary thriller, in which a fostered teenager has a vendetta against the former guardian of his foster brother; Marc Price’s debut film Colin won Best Feature at Raindance, his latest feature, Nightshooters is a contemporary thriller and a love letter to low-budget filmmaking and 80s action films.


Additional narrative features are considered in the Discovery Award, which is given to Best Debut Film.

Films nominated in this category include Andrea Jaurieta’s Ana By Day (Spain), when Ana’s double appears and takes her place she is totally free and able to explore her new anonymity and freedom;

starring Homeland’s Morgan Saylor and directed by Hanna Ladoul and Marco La Via, We The Coyotes (USA) is the story of a couple starting their new life together in Los Angeles;

Nikola Mijovi? and Vlastimir Sudar’s Borders, Raindrops (Republic of Srpska/Bosnia and Herzegovina/Montenegro/Serbia/Sweden/UK) is the story of a young city girl, who visits her family high up in the Balkan mountains, recently divided by new borders;

Lazar Bodroza’s Ederlezi Rising (Serbia), is a story of an astronaut sent on a long intergalactic mission, accompanied by a female android who he begins to fall in love with;

in Piotr Domalewski’s Silent Night (Poland), it is Christmas Eve and Adam, a young economic migrant, returns home unannounced for a traditional supper, though nobody suspects the true reason for his unexpected return.

Films vying for the Best Documentary Award include Ballet Now (USA), directed by Steven Cantor, executive producers include Elisabeth Moss (Mad Men, The Handmaid’s Tale), which follows dance sensation Tiler Peck is a behind-the-scenes look at the creative process involved in curating a three-day dance series, seeking to push boundaries;

Editor-in-Chief of Kino-Zeit, the largest German-language publication for arthouse cinema, Beatrice Behn and René Gebhardt have collaborated on The Artist & the Pervert (Germany), a ground-breaking film documents the lives of a renowned composer of symphonic music, descended from Nazi ancestors and his wife, an African-American kink educator, who engage in a controversial role-play game between a white master and a black slave;

Jeff and Michael Zimbalist’s Nossa Chape (Brazil, Colombia, Spain) tracks the rebuilding of the Chapecoense football club in Brazil after an airplane crash left only three players alive;

Denali Tiller’s Tre Maison Dasan (USA) is an intimate portrait of three boys growing up, each with a parent in prison; Rumble:

The Indians who Rocked the World (Canada), directed by Catherine Bainbridge, is a feature documentary about the role of Native Americans in popular music history.

Other music documentary highlights in 2018 include several World Premieres:, John Alexander’s This Is Love (USA) in which music legends George Clinton, Mick Fleetwood, Sinbad, and Norman Jay unveil an unsung hero of soul, Rudy Love, who turned down fame to make music with his family, yet whose influence is felt today – the screening will be followed by a concert at The 100 Club;

Other noteworthy films playing at the festival include Jay Alvarez’s Dizzy Pursuit (USA), exec produced by Anthony and Joe Russo, where a young couple receives unwanted visits from family members while trying to cast their independent feature film;

Peter Medak’s The Ghost of Peter Sellers (Cyprus), is a tragicomic documentary about young director desperately tries to complete a film on the open sea, while battling its star actor, who is trying to sabotage the film;

directed by his wife, Saskia Boddeke, The Greenaway Alphabet (Netherlands) is a deeply personal and powerful portrait chronicling conversations between the renowned filmmaker and his daughter.

The international short film competition slate includes Souls of Totality (dir: Richard Raymond, UK/USA), a love story about the intensity of a looming moment that can change everything;

June 21 (dir: Nagisa Morimoto, France) about a young man who helps a clinic patient break out of her room and together, they set off to venture far from the city and enjoy the summer days;

Imfura (dir: Ishimwe Samuel, Switzerland/Rwanda) which casts a light on the issues faced by families who were torn apart by the Rwandan genocide;

The Last Day of the Empire (dirs: Anna Rubi and Julia Halasz, Hungary) about the last days of a fictitious regime change;

and Clean Blood (dir: Jordan Michael Blake, USA) – Christmas movie about family, the apocalypse and an immaculately pregnant man.

UK Short Films include Jon Drever’s Thawed in a which a woman has brought back her husband from cryogenic suspension;

in Charlotte Regan’s Little Monster a man has his first phone call to his daughter after being sent to prison;

in Aaron Dunleavy’s Landsharks a young teenage boy is lured into the jaws of an underground loan shark;

in Nicholas Eriksson’s Ellston Bay when Keir decides to re-establish contact with his estranged father, he returns to his hometown by the sea, and quickly discovers that all is not as it seems on the surface;

Iesh Thapar’s Alien Culture is set in West London, 1979 where racial tensions are running high.

Another short of note is Eli Powers’ Holy Moses (USA), starring and exec produced by Amanda Seyfried – a strange mystery involving a missing Irish cow which turns up in American nowhere twenty-five years later.

This year’s Queer Film strand will once again showcase outstanding creations from the LGBTQ+ community.

Dykes, Camera, Action! is an outstanding introduction to lesbian cinema and provides a history of queer film from a lesbian perspective that explores both mainstream work and arthouse cinema.

Another historical look into the queer community will be provided by Ruminations, an endearing dive into the life of Rumi Missabu, the founder of San Francisco based theatre group The Cockettes.

Finally, Kill The Monsters is an artful and sensitive look into a polyamorous relationship tackling both the triviality and the hardships of contemporary romance which is not to be missed.

Raindance proudly supports female filmmakers and we are pleased to announce female centred indie films by both up and coming and established female filmmakers as well as documentaries celebrating inspiring women from around the world. A few examples showing the breadth of female centred indie offerings this year include the beautifully shot feature film Princesita directed by Marialy Rivas and the inspiring documentary The Last Fight about Marloes Coenen, a Dutch mixed martial arts fighter approaching retirement and her preparation, doubts and fears surrounding her final fight for the MMA championship

Renowned filmmaker Allison Anders will be attending Raindance with a retrospective of her 90’s indie hit Mi Vida Loca – the film looks beyond the surface of the lives of Hispanic girl gangs and attempts to create a deeper portrait of young women in the Echo Park section of Los Angeles.

Allison Anders will also host an unmissable Lumix Masterclass.

Raindance Film Festival continues to champion creators who are pushing the artistic development of the new mediums of Virtual, Augmented and Mixed Reality. The selection features 33 Virtual Reality experiences.

Anatomy of a Reel is the Raindance Film Festival’s in-depth study of the process from script to screen in painstaking detail. The series invites the masters of their craft to talk shop with their biggest filmmaking fans. Carlos Gallardo joins us this year to host a detailed scene breakdown of his critically acclaimed low-budget feature: ‘El Mariachi’.

Joining us for a Fireside Chat, Tony Kaye is a six time Grammy nominated music-video director, who’s worked with artists such as Johnny Cash and The Red Hot Chilli Peppers, and an award winning film director. Perhaps known best for his feature film debut American History X in 1998, the final cut of which he famously distanced himself from because of disputes over the quality.

We are also excited to welcome New York Times Media Columnist Jim Rutenberg to the festival this year to discuss journalistic integrity and how documentary filmmakers take on the reigns of responsibility in this arena. He has been a long time commentator on the Trump campaign, the rise of Fox News which he helped coin ‘The Fox Effect’, and was part of an infamous expose on the structures of abuse that allowed Harvey Weinstein to operate.

Raindance Film Festival welcomes Chile as guest of honour for our 2018 festival. The Chilean Film industry is experiencing a golden age – in the last few years, Chile has earned various nominations, participating and winning awards at the main Film Festivals worldwide and earning the Oscar for Best Foreign Language Film in 2018 with A Fantastic Woman.

Other Chilean features include Damn Kids (Gonzalo Justiniano), set in 1983, portraying the vicious dictatorship of General Pinochet. Directed by Into Carrizo-Ortiz, The Night is the story of an ordinary student who must choose between staying true or giving in to his dark side on the day when the world is immersed in total darkness.

The Guest Country Forum will include a panel discussion with experts from the Chilean Film Industry, discussing co-production, collaboration, and distribution throughout the Chilean marketplace. The event will also welcome a Case Study from Chilean VR Creators: Merced Productora.

As a special event to all Chile Day guests, Gonzalo Maza, writer of Oscar winner A Fantastic Woman will present an Anatomy of a Reel on one of the film’s most iconic scenes.

Now in its third year, Raindance is proud to host China Day 2018, in partnership with Beijing-based production and distribution company Dreamax Media. Bringing together a curated selection of Chinese and UK experts, panels will include Co-Production, Sales & Acquisition, and International Film Education.

The independent Film Trust has teamed up with Raindance to produce the Vertical Lab – a targeted six-month mentoring scheme that helps underrepresented film artists advance their careers in cinema. Building on the success of last year’s 25X25 project, the Vertical Lab brings 15 artists working in development, production and exhibition to Raindance.

London TV Pitchbox, the first pitching event organised by Raindance Film Festival and online platform Filmarket Hub, will host a case study of ‘Peaky Blinders’ by Jamie Glazebrook, Executive Producer of the series and Creative Director at Caryn Mandabach Productions. Ahead of the pitching session, attendee creators and executives will have the opportunity to learn about the development and production process which contributed to the success of the crime drama set in 1920s Birmingham.

Filmarket Hub is the first online marketplace for films and series in development. It matches international projects with producers, TV broadcasters, OTT platforms, sales agents and distributors. It is an excellent tool to discover excellent scripts or find financing partners, with more than 12.000 users from all over Europe & Latin America. Filmarket Hub also organises pitching events under the brand ‘Pitchbox’, where the best projects of the online marketplace have the opportunity to present in front the greatest companies from the industry.


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