Remainder (2015)
★★★★☆
What if you couldn’t remember your past and you tried to recreate it? Omar Fast’s visually stunning debut Remainder is a compulsively mind-bending puzzle.
★★★★☆
What if you couldn’t remember your past and you tried to recreate it? Omar Fast’s visually stunning debut Remainder is a compulsively mind-bending puzzle.
★★★☆☆
An uncompromising directorial debut by author Helen Walsh, The Violators is a powerful story of teenage girls in broken Britain.
★★★★★
Beautiful and grotesque – director Matteo Garone’s visually stunning collection of dark fairy tales for adults Tale of Tales defies description.
★★★☆☆
In a long hot summer, a collective sexual madness grips a group of French school students in Eva Husson’s uninspired Bang Gang.
★★★☆☆
A light comedy of thirty-somethings interfering in their friends’ lives, Clea DuVall’s The Intervention is a lightweight performance piece.
★★★★☆
A semi-autobiographical story of comedy in the heart of tragedy, Chris Kelly’s Other People sees both good things and bad happen to us all.
★★★★☆
Penned by David Gordon Green and with a cameo performance from James Franco, Andrew Neel’s hazing drama Goat has impeccable indie credentials.
★★★★☆
A witty adaptation of Jane Austen’s Lady Susan, Whit Stillman’s Love & Friendship is a sassy parody of Regency manners.
★★★☆☆
Relocating Ibsen’s The Wild Duck to the Australian outback, Simon Stone’s The Daughter remains an intense but stagey melodrama.
And the winner of the Cannes Film Festival 2016 Palme d’Or is Ken Loach for his searing film of social criticism I, Daniel Blake.
Read More★★★★☆
A teen maelstrom of romance, secrets and family in the Essex countryside, Joe Stephenson’s Chicken is a moving portrait of a breaking idyll.
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
★★★☆☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Ma Loute exposes the grotesque in everyone.