The Heiresses/Las Herederas (2018)
★★★★☆
Economically crumbling Paraguay after many years of patriarchal dictatorship is the setting for a subtle story of female self-discovery in Marcelo Martinessi’s The Heiresses.
★★★★☆
Economically crumbling Paraguay after many years of patriarchal dictatorship is the setting for a subtle story of female self-discovery in Marcelo Martinessi’s The Heiresses.
★★★★☆
Xavier Beauvois’ The Racer and the Jailbird stars Adèle Exarchopoulos and Matthias Schoenaerts in an intense, high-speed love affair.
★★★★☆
The Ciambra is an extraordinary first feature by Jonas Carpignano, a follow-up to Mediterraneo, that has ordinary people, non-professional actors, playing fictionalised versions of themselves in a reality-rooted drama.
★★★☆☆
François Ozon is on quirky erotic form in L’Amant Double, a mystery of psychoanalysis and seduction.
★★★☆☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic, interweaving of nightmare, filmmaking, fiction and reality.
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018.
★★★★☆
Cannes Film Festival 2018.
★★★☆☆
In a timely release for the anniversary of the May 1968 almost-revolution in Paris, Michel Hazanavicius wickedly funny re-invention of Jean-Luc Godard in Redoubtable, as seen though the eyes of Anne Wiazemsky, his second wife.