Napoleon (1927)
A silent masterpiece years ahead of its time. Napoleon by French director Abel Gance has been lovingly restored by Kevin Brownlow, with a new score by Carl Davis.
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A silent masterpiece years ahead of its time. Napoleon by French director Abel Gance has been lovingly restored by Kevin Brownlow, with a new score by Carl Davis.
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Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table. It’s Only The End Of…
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★★★☆☆
As a scriptwriter turns shepherd, Alain Guiraudie’s Rester Vertical reveals an existence of fear and lusting in the Midi-Pyrénées.
★★★☆☆
Oliver Laxe’s second film Mimosas is an enigmatic, spiritual North African odyssey.
Brady Corbet’s award-winning directorial debut in The Childhood of a Leader is an original concept of the making of a fascist monster. The Childhood…
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Two icons of French cinema reunite in Death Valley in Guillaume Nicloux’s Valley of Love. Valley of Love CAUTION: Here be spoilers Isabelle Huppert…
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French romcom by Laurent Tirard that hinges on a mismatched physical relationship that subverts the conventional romantic norm. Up for Love CAUTION: Here be…
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Catherine Corsini’s 1970s troubled lesbian romance basks in an idyllic Summertime in France in the days of women’s lib. Summertime CAUTION: Here be spoilers…
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★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
★★★☆☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Ma Loute exposes the grotesque in everyone.
★★★☆☆
A stirring portrait of female freedom denied, Deniz Gamze Ergüven’s Mustang is a deeply personal story with a profound political resonance.
★★★★☆
As a scriptwriter turns shepherd, Alain Guiraudie’s Staying Vertical reveals an existence of fear and lusting in the Midi-Pyrénées.
★★★★☆
With an extraordinary central performance, Jacques Audiard’s Dheepan offers a searing portrait of Europe as seen by the dispossessed.
★★★★☆
A delicious update of the Emperor’s new clothes parable, Xavier Giannoli’s Marguerite exposes the well-meaning flattery of the have-nots.