Two Tickets To Greece (2022) (Les Cyclades)
★★★☆☆
Two Tickets To Greece, directed by Marc Fitoussi with French stars, is an odd-couple comedy that looks beautiful but is rather predictable.
France
Cannes Film Festival 2024: Day 2: 15 May 2024: When the Light Breaks (2024) (Ljósbrot)
★★★★☆
When the Light Breaks is a beautiful, poetic study of young people’s grief by Rúnar Rúnarsson.
Cannes Film Festival 2024: Opening Film: Tuesday, 14 May: The Second Act (2024)(Le deuxième acte)
★★★★☆
Cannes Film Festival 2024: Opening Film: Tuesday, 14 May: The Second Act (2024) (Le Deuxième Acte)
La Chimera (2023)
★★★★☆
La Chimera by Alice Rohrwacher is an enigmatic, dreamlike Italian fable.
Tiger Stripes (2023)
★★★★☆
Tiger Stripes is a compelling coming-of-age body horror, the first feature by Amanda Nell Eu.
Our Mothers (2019) (Nuestras Madres)
★★★★☆
Our Mothers by Cesar Diaz is a very moving story of the long-lasting aftermath of genocide and civil war on survivors’ lives.
Nezouh (2022)
★★★★☆
Nezouh by Soudade Kaadan is a teenage coming-of-age story of finding hope in devastated war-torn Syria.
Omen (2023) (Augure)
★★★☆☆
Omen is multidisciplinary artist Baloji’s magical realist award-winning first feature.
Jeanne du Barry (2023)
★★★☆☆
Jeanne du Barry, which opened the Cannes Film Festival 2023, is co-written, directed and starred in by Maïwenn, also starring Johnny Depp, in a glossy historical French biopic.
If Only I Could Hibernate (2023)
★★★☆☆
If Only I Could Hibernate written, directed and produced by Zoljargal Purevdash is an involving, behind-the-scenes look at pressing issues in Mongolia, with an ecological message, seen through the life of an endearing teenager.
Banel & Adama (2023)
★★★☆☆
Lusciously beautiful: the doomed romance in Ramata-Toulaye Sy’s poetic debut feature Banel & Adama takes place amid the severe effects of climate change in remote northeastern Senegal.
Do Not Expect Too Much From The End Of The World (2023) (Nu astepta prea mult de la sfârsitul lumii)
★★★★★
Do Not Expect Too Much From The End Of The World is a wide-ranging, vicious satire on the post-communist, rampantly privatised, chaotically capitalist economy in Romania and everything else in modern European life, by Radu Jude.
Four Daughters (2023) (Les Filles d’Olfa)
★★★★★
Four Daughters is a powerful and emotionally compelling mixture of documentary and drama directed by Kaouther Ben Hania that examines the roots of fundamentalism and how women pass on self-imposed repression through the generations.
Berlinale 2024: Who Do I Belong To (2024) (Mé el Aïn)
★★★☆☆
Who Do I Belong To, an unsettlingly topical first feature by Meryam Joobeur, looks at identity in a post-ISIS world and sets out to challenge perceptions and prejudices.