Certified Copy / Copie Conforme (2010)
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.
★★★☆☆
Based on a script by Jacques Tati, Sylvain Chomet’s The Illusionist is a lyrical love story for sugar daddies and sweet dreamers. As well as residents of Dunedin.
★★★☆☆
With a heroin junkie and her dead lover’s gay brother hiding away together, François Ozon’s Le Refuge is a subdued meditation on parenthood and loss. It’s baby boom and bust.
★★★☆☆
As a passionate affair between two 20th century icons, Jan Kounen’s Coco Chanel & Igor Stravinsky is a perfumed symphony of style. But where are the heart notes?
★★★★☆
From chanson to reggae, Joann Sfar’s Gainsbourg is a soul-staking odyssey through Serge’s life and conquests, through Docteur Jekyll Et Monsieur Hyde.
★★★☆☆
A faithful adaptation of Perrault’s fairytale, Bluebeard nevertheless conceals a bevy of Catherine Breillat’s favourite themes. But where’s the eroticism?
★★★☆☆
Biting into the forbidden apple of incest, Andrew Kötting’s Ivul charts the fall of civilisation in a Russian émigré family. Or is he barking up the wrong tree?
★★★★☆
Alain Resnais, the great grand-monsieur of French cinema is de retour with Wild Grass a complex, lilting tale of the power of chance.
★★★☆☆
Cheerfully nihilistic, Benoît Jacquot’s Villa Amalia stars Isabelle Huppert as a pianist reinventing her life from scratch on the coast of Naples. O sole mio.
★★★★☆
Violent and misogynistic, Michael Winterbottom’s The Killer Inside Me adapts Jim Thompson’s noir novel to expose ’50s America’s darker side. It’s pulp friction.
★★★☆☆
André Techiné’s The Girl On The Train is not so much an exploration of modern antisemitism as a cumulation of our collective fears. Just mind the moral gap.
★★★☆☆
When winning becomes a losing battle, Radu Jude’s The Happiest Girl In The World casts a sly glance over Romania’s troublingly capitalist embrace.
★★★☆☆
Italian-born Swede Erik Gandini’s documentary Videocracy turns the camera on the power of television in Berlusconi’s celebrity-obsessed Italy.
★★★★★
I Am Love is a feast for the senses. The partnership between Luca Guadagnino and Tilda Swinton creates the perfect dish in this capolavoro of Italian cinema.