Dragged Across Concrete (2018)
★★★☆☆
Mel Gibson and Vince Vaughan are cops going brutally rogue in Dragged Across Concrete, S. Craig Zahler’s third film after Bone Tomahawk and Brawl in Cell Block 99.
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The Kindergarten Teacher (2018)
★★★★☆
The pursuit of artistic desire goes too far in writer/director Sara Colangelo’s slow burning drama The Kindergarten Teacher based on the 2014 Israeli film and showcasing a tremendous performance from Maggie Gyllenhaal.
The White Crow (2018)
Art and politics are uneasy bedfellows in The White Crow, David Hare’s story of ballet and defection, a directorial debut for Ralph Fiennes. The…
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Benjamin (2018)
★★★★☆
Benjamin, written and directed by Simon Amstell, is a self-revelatory comedy of embarrassment and satire on arty pretension.
The Fight (2018)
★★★☆☆
The Fight is actor Jessica Hynes’ down to earth but promising debut as director.
Foxtrot (2017)
★★★★☆
Foxtrot is director Samuel Moaz’s original, surreal black comedy of the paradoxes and contradictions of life in Israel and Palestine on the edge of war.
A Private War (2018)
★★★☆☆
Rosamund Pike in Matthew Heineman’s A Private War is a perfect incarnation of the legendarily fearless war reporter Marie Colvin.
If Beale Street Could Talk (2018)
Burning (2018)
★★★★☆
Burning is an elliptical, deceptive thriller directed by Lee Chang-dong that’s rooted in Korean class and income inequalities.
Destroyer (2018)
★★★☆☆
Nicole Kidman plays startlingly against type in Karyn Kusama’s LA noir Destroyer.
Colette (2018)
★★★★☆
As French cultural icon Colette, Keira Knightley charms and shocks in 19th century Paris in Wash Westmoreland’s intriguing biopic.
Stan & Ollie (2018)
★★★★☆
Steve Coogan and John C Reilly excel as Stan & Ollie in Jon S Baird’s bittersweet biopic of the end of a comedy duo – and an era.
The Front Runner (2018)
★★★★☆
The Front Runner, Jason Reitman’s absorbing dredge into presidential favourite Gary Hart’s downfall is a timely take on US politics and morality then and now.
The Favourite (2018)
★★★★☆
The Favourite is Yorgos Lanthimos’s blackly comic behind-the-scenes romp though a historical period that was strange enough to start with..