BFI LFF Review: Holiday (2018)
★★★★☆
Holiday is a beautifully brutal first feature from Isabella Eklöf about a petty drug lord’s girlfriend who is in for a holiday she’ll never forget in a vicious, powerful and fresh look at the gangster genre.
★★★★☆
Holiday is a beautifully brutal first feature from Isabella Eklöf about a petty drug lord’s girlfriend who is in for a holiday she’ll never forget in a vicious, powerful and fresh look at the gangster genre.
★★★★☆
Anchor & Hope is a fresh and funny romcom by Carlos Marqués-Marcet, director of 10,000 km, about the different kinds of lifestyles that people who really care for each other can make for themselves.
★★★★☆
Set in a down-beat, dark emergency call centre, The Guilty is a Danish thriller directed by Gustav Möller that takes place in claustrophobic real time, centred on a single character.
★★★★☆
Possum by Matthew Holness is a suffocating, dark, very British psychological horror.
★★★☆☆
Utøya – July 22 by Erik Poppe is a stunning real-time reconstruction of the Norwegian massacre.
★★★★☆
BFI LFF 2018 Competition winners
★★★★☆
Dogman is a powerful Italian neorealist fable by Matteo Garrone with an award-winning performance by Marcello Fonte.
★★★★☆
Burning is an elliptical thriller directed by Lee Chang-dong that’s rooted in Korean class and income inequalities.
★★★★☆
Sew the Winter to my Skin is an excoriatingly angry film set in the Apartheid 1950s from South African director Jahmil X.T. Qubeka.
★★★★☆
The irony of Mike Leigh’s latest film Peterloo about demanding political representation is that almost 200 years later, this week people are marching for practically the same reasons – to demand a people’s vote, this time on Brexit.
★★★★☆
They Shall Not Grow Old, Peter Jackson’s homage to his grandfather, is a technically brilliant remastering, colouring and voicing of First World War footage into 3D to show the horror and futility of war for its ordinary foot soldiers.
★★★★☆
Sunset is tour de force immersive filmmaking in which László Nemes that captures a chaotic watershed in European history.
★★★★☆
In Birds of Passage, directed by Cristina Gallego and Ciro Guerra, the violent birth of Colombia’s drug trade destroys a unique traditional culture.
★★★★☆
Truth and justice clash in The Guilty (Den skyldige), Gustav Möller’s claustrophobic thriller , where no-one can walk away with their innocence intact.