Journeyman (2017)
★★★★☆
Paddy Considine directs and stars in Journeyman, a melodrama about the hidden toll of boxing.
festivals
The Third Murder (2017)
★★★★☆
The Third Murder by Hirokazu Koreeda is a totally absorbing philosophical exploration of the nature of truth and freedom and whether they can exist, the difference between the law and justice, and whether anything differentiates murder and the death penalty.
The Square (2017)
★★★★☆
Ruben Östlund’s Palme d’Or-winning The Square is a chilling satire on the pretensions of art and Sweden’s comfortable society.
You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
The Nile Hilton Incident (2017)
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
Berlinale: Transit (2018)
★★★★☆
Christian Petzold’s fascinating present-day World War II film Transit is thematically and narratively dense, but there’s nothing dense in the way it goes about handling it.
Dark River (2017)
★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.
Berlinale: Garbage (2018)
★★★☆☆
Q’s Garbage unfurls like a beautiful scream of pain and rage against Indian society gone dystopianly wrong.
Berlinale: Dovlatov (2018)
★★★☆☆
Alexey German Jr’s character study of a great Russian writer in Dovlatovencapsulates its time period superbly, but fails to go beyond that.
Berlinale: Tower. A Bright Day. (2017)
★★★☆☆
As mystifying as it is transfixing, Jagoda Szlec’s feature-length debut Tower. A Bright Day is an astute blend of dread and mundanity.
The Shape of Water (2017)
★★★★★
Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.
Loveless (2017)
★★★★★
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.
Journey’s End (2017)
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.