VENICE 2024: Manas (2024)
★★★☆☆
Manas by Marianna Brennand takes us into turmoil in a closed Amazonian community.
★★★☆☆
Manas by Marianna Brennand takes us into turmoil in a closed Amazonian community.
★★★☆☆
The Mohican directed by Frédéric Farrucci is a beautifully shot, deeply felt film about an ordinary goatherd who becomes a social media hero in Corsica when he defends his beliefs.
★★★☆☆
Vittoria is an extraordinary, moving drama based on real events about a woman’s need to adopt a child, directed by Alessandro Cassigoli and Casey Kauffman.
★★★☆☆
Quiet Life, directed by Alexander Avranas, shows how the stress of being a Russian refugee in Sweden can result in resignation syndrome (a ‘shutting down’).
★★★★☆
Super Happy Forever by Kohei Igarashi is a star-studded Japanese love story in reverse.
Calendario delle proiezioni per il pubblico della 81. Mostra Internazionale d’Arte Cinematografica Venice film festival is the oldest film event in the world The…
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★★★★☆
Nezouh by Soudade Kaadan is a teenage coming-of-age story of finding hope in devastated war-torn Syria.
★★★★☆
Evil Does Not Exist by Palme-d’or-winning director Ryu Hamaguchi is a sensitive, mesmeric ecological fable.
★★★☆☆
The relationship between Priscilla and Elvis Presley is told from Priscilla’s perspective in writer-director Sofia Coppola’s dreamily subdued Priscilla.
★★★★☆
Venice Film Festival 2023
★★★ώ☆
Bobi Wine:The People’s President: an illuminating Uganda-set National Geographic documentary about the hugely popular musician turned politician who challenged the incumbent, long-serving President.
★★★★☆
Saint Omer by Alice Diop is a harrowing and haunting political drama about the complexities of being a Black woman and the pressures of motherhood, inspired by real events.
★★★★☆
No Bears is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
★★★★☆
BFI LFF 2022:No Bears , screening at the BFI LFF 2022, is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.