Restless (2011)
★★★★☆
Doomed love with a straight twist, Gus Van Sant’s Restless hides a Last Days morbidity in a quirky teenage romance between a terminally ill girl and a funeral mourner.
Black Power Mixtape 1967-1975 (2011)
★★★★☆
Apathy and the black fight for civil rights, Göran Hugo Olsson’s Black Power Mixtape 1967-1975 scours the Swedish vaults for an all-American independence.
Drive (2011)
★★★★☆
With Ryan Gosling as an übercool, unnamed getaway driver, Nicolas Winding Refn’s Drive mixes LA heist movie with Melvillian lonerism for a sexy, seething delight.
Perfect Sense (2010)
★★★★☆
David Mackenzie’s Perfect Sense is a twist on both thriller and love story as a couple find each other while the world around them crumbles, sense by sense.
Film Festival: 7th London Spanish Film Festival (2011)
The 7th London Spanish Film Festival by Mark Wilshin With special strands for short films, Catalan and Basque features and a retrospective on Geraldine…
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Mademoiselle Chambon (2009)
★★★★☆
A tender waltz of self-restrained romance, ex-couple Vincent Lindon and Sandrine Kiberlain quietly explode in Stéphane Brizé’s autumn-hued Mademoiselle Chambon.
Tomboy (2011)
★★★☆☆
The portrait of the cross-dresser as a young boy, Céline Sciamma’s Tomboy explores a summer of sexual awakening and the limits of identity.
Troll Hunter / Trolljegeren (2010)
★★★☆☆
With its folkloric hellions and scatological asides, André Øvredal’s mockumentary of Northern frights, Troll Hunter, can’t quite decide if it’s horror or comedy.
The Hedgehog / Le Hérisson (2010)
★★★☆☆
Mona Achache’s adaptation of The Hedgehog is a touching, tragic tale of unlikely friendships and a contemporary take on the malaise of the Parisian bourgeoisie.
The Skin I Live In / La Piel Que Habito (2011)
★★★★☆
Neither really a return to form for Almodóvar nor a Banderas reinvention, The Skin I Live In is good clean, honest fun. Like Frankenstein and no monster.
R – Hit First, Hit Hardest (2010)
★★★★☆
Playing the waiting game, Noer and Lindholm’s R: Hit First, Hit Hardest reveals the bitter, cinematic truth about life behind bars in a Danish prison.
In A Better World / Haevnen (2010)
★★★★☆
Split between Kenya and Denmark, Susanne Bier’s In A Better World has war and peace in its sights as its playground bullies test the pacifists to the limit.
Sarah’s Key / Elle s’appelait Sarah (2010)
★★★☆☆
With Kristin Scott Thomas charmingly exposing family secrets, Sarah’s Key combines the horror of the Vel d’Hiv round-up with modern traumas and untold stories.
Beautiful Lies / De Vrais Mensonges (2010)
★★★☆☆
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.