The Referees / Les Arbitres (2009)
★★☆☆☆
A fly-on-the-wall documentary spotlighting the beautiful game’s men in black, The Referees looks at soccer from a different angle. More obtuse than acute.
The Light Thief (2010)
★★★☆☆
Aktan Arym Kubat’s The Light Thief is a mishmash of comedy, politics and poetry, and yet a haunting portrait of the death of cinema.
Poetry (2010)
★★★★☆
With geriatric sex and teen suicide, Lee Changdong’s Poetry is no sensationalist exploitation drama, but a dark, tender coming of (old) age.
Bal / Honey (2010)
★★★★☆
The first and final part in Semih Kaplanoglu’s Yusuf trilogy, Honey is a tender portrait of childhood.
A Separation (2011)
★★★★★
Following its own merciless and tragic logic, Asghar Farhadi’s divorce parable A Separation is deceptively straightforward, exposing the loss of humanity beyond bitter recriminations.
The Princess of Montpensier (2010)
★★★☆☆
Revisiting the St Bartholomew’s Day Massacre, Bertrand Tavernier’s The Princess of Montpensier tones down the sexy intrigue in favour of female self-determination.
The Tree Of Life (2011)
★★★★☆
Set alight by a family tragedy, Terrence Malick’s beautiful The Tree Of Life spirals out from a son’s death into a divine celebration of life.
Film Socialisme (2010)
★★★☆☆
JLG is back to his impenetrable best with Film Socialisme, a cascading multi-lingual mosaic of ideas and comment presented as a symphony in three reassuringly dense movements.
Incendies (2010)
★★★★★
Blazing a trail through Lebanon and a family’s past, Denis Villeneuve’s Incendies tiptoes through a chain of unstoppable fires to a reconciliatory future.
The First Grader (2010)
★★☆☆☆
With its noble African spirit and picturesque, violent savannah, Justin Chadwick’s The First Grader may be historical tourism, but it’s cine-colonialism with a good heart.
Potiche (2010)
★★★★★
A return to form for François Ozon, Potiche is a melting pot of satire, farce and high camp with a sprinkling of stardust.
Le Quattro Volte (2010)
★★★★☆
Living la dolce vita in Calabria, Michelangelo Frammartino’s documentary fiction Le Quattro Volte is a naturalist’s reduction of man to matter.
Les Amours Imaginaires / Heartbeats (2010)
★★★★☆
Navigating the ménage à trois with elegant indifference, Xavier Dolan’s Les Amours Imaginaires is a glorious feast of colour and rancid joie de vivre. Who said anything about subtle?
Love Like Poison / Un Amour Violent (2010)
★★★★☆
Ivorian director, Katell Quillévéré’s first feature, Love Like Poison is a tender coming of age tale set amid the religious fervour of small-town Brittany.