Gainsbourg (Vie Héroïque) (2010)
★★★★☆
From chanson to reggae, Joann Sfar’s Gainsbourg is a soul-staking odyssey through Serge’s life and conquests, through Docteur Jekyll Et Monsieur Hyde.
The best cinema in the world
The Best Cinema In The World? OK, we all love cinema. But what about the cinema itself? What’s your favourite cinema? Is it the…
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Film Review: Bluebeard / Barbe Bleue (2009)
★★★☆☆
A faithful adaptation of Perrault’s fairytale, Bluebeard nevertheless conceals a bevy of Catherine Breillat’s favourite themes. But where’s the eroticism?
South Of The Border (2009)
★★★☆☆
Über-director Oliver Stone’s latest documentary film South of the Border offers a provocative glance at the US media’s take on Latin American politics.
Ivul (2009)
★★★☆☆
Biting into the forbidden apple of incest, Andrew Kötting’s Ivul charts the fall of civilisation in a Russian émigré family. Or is he barking up the wrong tree?
When You’re Strange (2009)
★★★☆☆
A medley of grainy super-8 footage, Tom DiCillo’s When You’re Strange strips The Doors down to no-holds-barred exuberance. Or is it just wallowing in the mire?
Wild Grass / Les Herbes Folles (2009)
★★★★☆
Alain Resnais, the great grand-monsieur of French cinema is de retour with Wild Grass a complex, lilting tale of the power of chance.
Villa Amalia (2009)
★★★☆☆
Cheerfully nihilistic, Benoît Jacquot’s Villa Amalia stars Isabelle Huppert as a pianist reinventing her life from scratch on the coast of Naples. O sole mio.
Women Without Men (2009)
★★★☆☆
Iranian visual artist, Shirin Neshat’s directorial debut focuses on the lives of four women set against a backdrop of political turmoil in 1950s Iran.
The Killer Inside Me (2010)
★★★★☆
Violent and misogynistic, Michael Winterbottom’s The Killer Inside Me adapts Jim Thompson’s noir novel to expose ’50s America’s darker side. It’s pulp friction.
The Girl On The Train / La Fille du RER (2009)
★★★☆☆
André Techiné’s The Girl On The Train is not so much an exploration of modern antisemitism as a cumulation of our collective fears. Just mind the moral gap.
The Time That Remains (2009)
★★★☆☆
A pizzicato sonata of absurd rituals, Elia Suleiman’s The Time That Remains unpicks a lifetime stifling inside the Green Lines. It’s more than just plucking at strings.
The Happiest Girl In The World / Cea Mai Fericita Fata Din Lume (2009)
★★★☆☆
When winning becomes a losing battle, Radu Jude’s The Happiest Girl In The World casts a sly glance over Romania’s troublingly capitalist embrace.
Videocracy (2009)
★★★☆☆
Italian-born Swede Erik Gandini’s documentary Videocracy turns the camera on the power of television in Berlusconi’s celebrity-obsessed Italy.