I’m So Excited / Los Amantes Pasajeros (2013)
★★★☆☆
Cross check and doors to manual, Almodóvar’s I’m So Excited smuggles camp humour onboard a plane heading into disaster. Only the sky’s the limit.
★★★☆☆
Cross check and doors to manual, Almodóvar’s I’m So Excited smuggles camp humour onboard a plane heading into disaster. Only the sky’s the limit.
★★★★☆
A rom-com for realist romantics, Susanne Bier’s Love Is All You Need sees love blossom alongside life’s trials and tribulations.
★★☆☆☆
Like a Greek hero of yore, Marcus Markou is taking on the economic crisis single-handedly with Papadopoulos & Sons, his fleecy, feel-good, culture-clash comedy.
★★★★☆
Of schoolboy crushes and French assignments, François Ozon’s labyrinthine In The House is an intricate maze of fiction and reality worth getting lost in.
★★★★☆
An unlikely odd-couple relationship between man and robot, Robot & Frank poignantly contrasts human memory and ageing with its computerised counterparts.
★★★☆☆
Seventeen short films about Graham Chapman, A Liar’s Autobiography offers a kaleidoscopic view of the legendary gay and alcoholic Python.
★★★★☆
Where do British serial killers go on holiday? Caravanning in the Lake District, of course.
★★★☆☆
Delicately new and surprisingly tender, Todd Solondz’s Dark Horse is both a break from the past and a ghostly visitation of the indie auteur’s oeuvre.
★★★★☆
Based on the bestselling novel by Jo Nesbø, Headhunters is a taut Norwegian thriller of slick art thefts, aggressive male rivalry and big inferiority complexes.
★★★☆☆
Our man in the Vatican, Nanni Moretti’s We Have A Pope delights both in the vibrant ritual of the papal conclave and rattling its cardinals’ chasubles.
★★★☆☆
With its folkloric hellions and scatological asides, André Øvredal’s mockumentary of Northern frights, Troll Hunter, can’t quite decide if it’s horror or comedy.
★★★☆☆
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.
★★★★★
A return to form for François Ozon, Potiche is a melting pot of satire, farce and high camp with a sprinkling of stardust.
★★★☆☆
It may be a remake of the John Wayne classic True Grit, but don’t be fooled – the Coen brothers’ latest Western outing is their straightest story yet.