La Belle Époque (2019)
★★★★☆
La Belle Époque by Nicolas Bedos has sublime performances from its central characters that combine with a clever, witty, seamless screenplay to create an unashamedly super-enjoyable film.
Genre
I Lost My Body (2019)
★★★★★
I Lost My Body by Jérémy Clapin is a dreamlike, beautiful, unbearably sad and tender animation.
Harriet (2019)
★★★★☆
Harriet, directed by Kasi Lemmons, is a conventionally made biopic of a supremely unconventional and inspirational woman, Harriet Tubman, taking her life story from slave to fearless abolitionist and conductor on the underground railroad to freedom.
Greener Grass (2019)
★★★☆☆
Satirical comedy Greener Grass by, and co-starring Jocelyn DeBoer and Dawn Luebbe, is Stepford Wives on acid.
After the Wedding (2019)
★★★☆☆
In After the Wedding Bart Freundlich piles unlikely event on unlikely event on Julianne Moore and Michelle Williams in a weepie melodrama that reaches emotional overload.
Making Waves: The Art of Cinematic Sound (2019)
★★★★☆
Making Waves: The Art of Cinematic Sound by Midge Costin is one of those fascinating documentaries that take you behind the scenes to explain how things happen that are so crucial but you had never previously noticed.
The Last Black Man in San Francisco (2019)
★★★★☆
In The Last Black Man in San Francisco, writer/director Joe Talbot takes a true story and turns it into a poetic and haunting version of itself – a brightly lit, lyrical, stylised drama.
BFI LFF 2019: Harriet (2019)
★★★☆☆
Harriet, directed by Kasi Lemmons, is a conventionally made biopic of a supremely unconventional and inspirational woman, Harriet Tubman, taking her life story from slave to fearless abolitionist and conductor on the underground railroad to freedom.
BFI LFF 2019: The Four Ages of Woman
★★★★☆
Four films at the BFI London Film Festival paint a thought-provoking picture of British women not ‘having it all’ from teenage. coming of age, adulthood to middle age.
BFI LFF 2019: The Two Popes (2019)
★★★★★
The Two Popes by Fernando Mereilles is a sparklingly written, joyfully acted, behind-the-scenes imagining of historic events made personal that has its international premiere at the BFI London Film Festival.
Moffie (2019)
★★★★☆
Oliver Hermanus evokes fear and loathing for a brutally homophobic, Apartheid-era South Africa among young LGBT conscripts in Moffie.
BFI LFF 2019: The Climb (2019)
★★★★☆
In original, smart buddy comedy movie The Climb co-writer/directors Kyle Marvin and Michael Angelo Covino play two losers also called Kyle and Mike.
Hitsville: The Making of Motown (2019)
★★★★☆
Hitsville: The Making of Motown is an enjoyable, nostalgic celebration of the 60th anniversary of the iconic record label Tamla-Motown.
BFI LFF 2019: Portrait of a Lady on Fire (2019)
★★★★★
Portrait of a Lady on Fire is a sumptuously sensual lesbian love story set in 1770 that comments fiercely on the role of women in society – then and now.