Their Finest (2016)
★★★★☆
Danish director Lone Scherfig’s Their Finest is a very British romcom.
Genre
Letters from Baghdad (2016)
★★★★☆
Clever use of previously unseen archive footage and original letters brings to life the extraordinary story of a forgotten female Lawrence of Arabia in fascinating biopic Letters from Baghdad.
A Quiet Passion (2016)
★★★★☆
A portrait of the poet as a young revolutionary, Terence Davies’ Emily Dickinson biopic A Quiet Passion sees a fiercely independent woman martyred.
City of Tiny Lights (2016)
★★★☆☆
Multicultural London gets the film noir treatment from director Pete Travis in Patrick Neate’s City of Tiny Lights.
Neruda (2016)
★★★★☆
Free Fire (2016)
★★★★☆
Ben Wheatley’s Free Fire is a Tarantino-esque splatterfest of bullets and bad jokes.
Another Mother’s Son (2017)
★★★★☆
Another Mother’s Son is a true story of wartime courage and a mother’s love starring Jenny Seagrove and a cast of well-known British actors, directed by Christopher Menaul.
The Eyes of My Mother (2016)
★★★★☆
Nicolas Pesce’s black and white feature debut The Eyes of My Mother is a stylishly shot American Gothic horror with nightmarish scenes that stay imprinted on the mind’s eye.
Get Out (2017)
★★★★☆
Get Out is actor and comedian Jordan Peele’s original horror-satire take on white liberal racism in the US.
A Silent Voice (2016)
★★★★☆
A Silent Voice is an unusual and sensitive anime about deafness and teen bullying based on the long-running manga by Yoshitoki Oima.
Uncertain (2015)
– ★★★★☆
Subtle, beautifully shot documentary about the residents of a small town in the middle of nowhere, so remote that it barely exists.
It’s Only the End of the World (2016)
★★★★☆
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table.
The King’s Choice (2017)
★★★★☆
It’s desperate times for democracy in Erik Poppe’s The King’s Choice as Norway’s monarch attempts to save both King and country.
Ana, Mon Amour (2017)
★★★☆☆
An intimate portrait of the codependency of love, Cãlin Peter Netzer’s Ana, Mon Amour falters through its very male gaze.