Life (2015)
★★★☆☆
Recreating a brief episode in James Dean’s life, Anton Corbijn’s Life sees the icon on the cusp of fame thanks to a series of photographs for Life magazine.
Genre
Tangerines / Mandariinid (2013)
★★★★★
Depicting the Abkhazia conflict through the lens of an outsider, Zaza Urushadze’s Tangerines is an emotional and haunting study of the senselessness of war.
Everest (2015)
★★★★☆
Ain’t no mountain high enough, Baltasar Kormákur’s Everest climbs the nuts and bolts of the fight to the summit without descending into human conflict.
A Girl At My Door (2014)
★★★☆☆
Combining gay rights with all the tropes of a horror movie, July Jung’s A Girl At My Door is strangely haunting, but struggles with a split personality.
La Famille Bélier (2014)
★★☆☆☆
Highlighting one teenage girl’s struggle to manage life as the only hearing member of her deaf family, Eric Lartigau’s La Famille Bélier is riddled with clichés.
Pasolini (2014)
★★★★☆
Evoking the last days of Pier Paolo Pasolini, Abel Ferrara’s Pasolini lets the controversial Italian filmmaker’s thoughts and ideas do the scandalising.
How To Change The World (2015)
★★★★★
Jerry Rothwell’s inspirational documentary How To Change The World explores the birth of Greenpeace and the tumultuous sea-change it sparked in environmentalism.
The Second Mother / Que Horas Ela Volta? (2015)
★★★★☆
With a cracking performance from Regina Casé and a sharp script, Anna Muylaert’s The Second Mother is a well polished gem of class friction in Brazil.
Escobar: Paradise Lost (2014)
★★★☆☆
A fictional retelling of the bloody final days of the Medellin cartel, Andrea Di Stefano’s Escobar: Paradise Lost brings a personal touch to Escobar’s violence.
The Treatment / De Behandeling (2014)
★★★☆☆
A fast-paced and tense police thriller, Hans Herbots’ The Treatment plumbs the murky depths of child abuse and male impotence.
The Confessions of Thomas Quick (2015)
★★★★☆
A haunting portrait of Sweden’s one and only serial killer, Brian Hill’s The Confessions of Thomas Quick reimagines the collaborative nature of storytelling.
Theeb (2014)
★★★★☆
A stunningly beautiful Bedouin Western by first-time director Naji Abu Nowar, Theeb uses fabulous locations in Jordan to tell a gripping coming-of-age story.
Marshland / La Isla Minima (2014)
★★★★☆
A police thriller in the dark heartland of ’80s Andalusia, Alberto Rodríguez’ Marshland is a gripping and stylish study of Spain both then and now.
Cub / Welp (2014)
★★☆☆☆
In Jonas Govaerts’ Cub, solid filmmaking and worthy performances fold under the excessive weight of tropes and contrivances in this full-on descent into torture porn.