Trishna (2011)
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.
★★★☆☆
Filmed over 12 years, Varon Bonicos’s A Man’s Story is more than a bio-doc on Ozwald Boateng, it’s a sharp look at the essence of the man.
★★★☆☆
From oligarch to the Siberian gulag, Cyril Tuschi’s documentary Khodorkovsky shines a light on Russia’s murky politics and its most infamous dissident. Oh, those Russians.
★★★★☆
A sister, a cult member, an alias – Sean Durkin’s psychological thriller Martha Marcy May Marlene is an assured debut as gripping as it is haunting.
★★★☆☆
Patience (After Sebald) sees Grant Gee’s richly-textured path meander through the Suffolk countryside and the work of the acclaimed Anglo-German writer.
★★★☆☆
Respected Afro-British director John Akomfrah’s haunting film The Nine Muses is an unusual, genre defying, literary based contemplation of migration, memory and the power of elegy.
★★★☆☆
Our man in the Vatican, Nanni Moretti’s We Have A Pope delights both in the vibrant ritual of the papal conclave and rattling its cardinals’ chasubles.
★★★★☆
With thunderous performances by Jessica Chastain and Michael Shannon, Jeff Nichols’ Take Shelter is a mind blowing twister of mental illness, austerity America and the apocalypse.
★★★★☆
Documenting five testimonies of San Francisco’s AIDS crisis, Bill Weber and David Weissman’s We Were Here brings the battle to the people.
★★★★☆
With a career redefining performance from Rachel Weisz, Terence Davies’ The Deep Blue Sea is a tour de force of classic filmmaking and nostalgia.
★★★☆☆
“Heathcliff, it’s me, Cathy come home,” Andrea Arnold drops the high drama of Emily Brontë’s Wuthering Heights in return for an opulence of visual treats.
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.
★★★☆☆
Embroiled in politics corrupt and corrupting, George Clooney’s The Ides Of March charts the tragic fate of one man irredeemably lost, and on the way up.
★★★★☆
Doomed love with a straight twist, Gus Van Sant’s Restless hides a Last Days morbidity in a quirky teenage romance between a terminally ill girl and a funeral mourner.