Decision to Leave (2022)
★★★★☆
Cannes-award-winning unforgettable Decision to Leave directed with pyrotechnical flair by Park Chan-wook is a haunting Korean neo-noir and yet so much more.
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Saint Omer (2022)
★★★★☆
Saint Omer by Alice Diop is a harrowing and haunting political drama about the complexities of being a Black woman and the pressures of motherhood, inspired by real events.
Holy Spider (Ankabut-e moqaddas) (2022)
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
Peter von Kant (2022)
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
Corsage (2022)
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
A Love Song (2022)
★★★★☆
Dale Dickey plays a widow reflecting on life and love and the possibility of connection with an old friend in writer/director Max Walker-Silverman’s tender character study A Love Song.
No Bears (2022)
★★★★☆
No Bears is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
Neptune Frost (2021)
★★★☆☆
Neptune Frost, a visionary collaboration between poet/artist Saul Williams and actress and playwright Anisia Uzeyman, is a unique Afro-futurist political musical filmed in Rwanda.
BFI London Film Festival 2022
★★★★☆
BFI London Film Festival 2022
Black Mail
★★☆☆☆
Black Mail, written and directed by Obi Emelonye, is a slick, London-set plot-driven thriller with an appealing central character played by Nigerian star OC Ukeje.
Hit the Road (Jaddeh Khaki) (2021)
★★★★★
In Hit the Road by Panah Panahi an Iranian family say so much and yet leave so much unsaid.
Faya Dayi (2021)
★★★★☆
Faya Dayi, a poetic documentary by director, producer and cinematographer Jessica Beshir, paints a tapestry of haunting recollections and stories about khat that create a vivid picture of the socio-political landscape in Ethiopia.
Everything Went Fine (2021) (Tout s’est bien passé)
★★★★☆
Everything Went Fine by François Ozon is a tender, surprisingly darkly humorous look at euthanasia and family relationships.
Listen (2020)
★★★☆☆
Listen, Ana Rocha de Sousa’s powerful first film about forced adoption, is heart-rending and almost unbearable to watch at times.