Cannes Film Festival: Les Misérables (2019)
★★★★☆
Les Misérables is the explosive first feature from Ladj Ly, referencing Victor Hugo’s classic social commentary amid violently erupting present-day social tensions.
★★★★
Cannes Film Festival: Atlantiques (Atlantics) (2019)
★★★★☆
Atlantics (Atlantiques) is Mati Diop’s dreamlike feature debut focusing on the women left behind when Senegalese migrant workers take to the seas.
Cannes Film Festival 2019: Day 3
★★★★☆
Cannes Film Festival 2019: Day 3
Cannes Film Festival: Bacurau (2019)
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
Birds of Passage (2018)
★★★★☆
In Birds of Passage, directed by Cristina Gallego and Ciro Guerra, the violent birth of Colombia’s drug trade destroys a unique traditional culture.
Wild Rose (2018)
★★★★☆
Jessie Buckley is superb as an aspiring country singer determined to break from her past and get to Nashville in director Tom Harper’s Glasgow-set Wild Rose.
Pond Life (2018)
★★★★☆
It’s impossible not to be charmed and touched by Pond Life, directed by Bill Buckhurst.
STYX (2018)
★★★★☆
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Maborosi (1995)
★★★★☆
Following Hirokazu Kore-eda’s Cannes Palme d’Or winner and Oscar-nominated Shoplifters, UK audiences now get a chance to see the director’s earlier work Maborosi for the first time.
Loro (2018)
★★★★☆
Paolo Sorrentino’s Loro is an excoriating comment on the tacky corruption that surrounded the notorious former prime minister of Italy, Silvio Berlusconi.
Happy as Lazzaro (2018) (Lazzaro felice)
★★★★☆
Happy as Lazzaro by Alice Rohrwacher is a magical-realist fable that features types of exploitation.
The Sisters Brothers (2018)
★★★★☆
The Sisters Brothers is a darkly funny, revisionist Western directed by Jacques Audiard.
A Clockwork Orange (1971)
★★★★☆
Stanley Kubrick’s must-see cult classic A Clockwork Orange is finally released in the UK.
3 Faces (2018)
★★★★☆
3 Faces is Jafar Panahi’s fourth film since receiving a 30-year ban on filmmaking (or leaving Iran). It’s an involving, compelling, deeply ingrained criticism of the society it quietly observes.