BFI LFF Review: The Guilty (2018)
★★★★☆
Truth and justice clash in The Guilty (Den skyldige), Gustav Möller’s claustrophobic thriller , where no-one can walk away with their innocence intact.
★★★★
BFI LFF Review: Monrovia, Indiana (2018)
★★★★☆
In Monrovia, Indiana, veteran documentarian Frederick Wiseman, compassionately chronicles life in small-town America.
BFI LFF Review: Colette (2018)
★★★★☆
Keira Knightley dons a corset again to portray France’s greatest woman author Colette from country girlhood to scandalous adulthood in Wash Westmoreland’s Colette.
BFI LFF Review: Widows (2018)
★★★★☆
Steve McQueen’s Widows is a hugely entertaining, violent, female-centred heist thriller that starts with a bang and never stops. It has tension, surprises and multiple gasp-making twists and turns.
BFI LFF 2018 previews (1)
★★★★☆
Previews from the London Film Festival 10-21 October – Wildlife and Crystal Swan.
Climax
★★★★☆
Gaspar Noé’s hallucinogenic Climax is as hard core as its bad trip.
Lucky (2017)
★★★★☆
John Carroll Lynch’s wonderful, poignant Lucky is a fitting career-end for brilliant actor Harry Dean Stanton.
Wajib (2017)
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
Open City Documentary Festival 2018
★★★★☆
30 features, 48 shorts, 30+ countries! Astonishing debut Baronesa from Brazilian film maker Juliana Antunes opens the festival and it features the World Premiere of the inspirational H Is For Harry from Bafta-nominated British filmmaker Jaime Taylor.
The Guardians (2017)
★★★★☆
Xavier Beauvois’ The Guardians Les Guardiennes is a beautiful period recreation of a time of change for women and society in rural France during the First World War.
The Heiresses/Las Herederas (2018)
★★★★☆
Economically crumbling Paraguay after many years of patriarchal dictatorship is the setting for a subtle story of female self-discovery in Marcelo Martinessi’s The Heiresses.
First Reformed (2018)
★★★★☆
Paul Schrader’s gripping First Reformed links spiritual and physical torment to the environmental threat to the future of the earth.
Ex Libris: The New York Public Library (2017)
★★★★☆
Frederick Wiseman’s compelling and comprehensive documentary reveals the behind-the-scenes work of a monumental American institution, the New York Public Library.
The Ciambra (2017)
★★★★☆
The Ciambra is an extraordinary first feature by Jonas Carpignano, a follow-up to Mediterraneo, that has ordinary people, non-professional actors, playing fictionalised versions of themselves in a reality-rooted drama.